Word: pesaro
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...workable score of The Siege. He finally discovered a copy of the original Naples version among some old manuscripts in the Library of Congress. A French publisher lent him fragments of Rossini's orchestration for the first Paris performance. The Rossini library in Pesaro, Italy, the composer's home town, produced a score of the initial La Scala production. Schippers took what seemed to him the best music from each of these versions, including a breathtakingly difficult aria for Neocle which Rossini had never used apparently for lack of competent singers...
...prodigy," Tebaldi once said, in a dimpled dig at the competition. "I was born with very normal cries-different from one of my celebrated colleagues, whose very first cries were musical and admirable." Tebaldi's first raucously normal cries sounded 36 years ago, in the fishing town of Pesaro on Italy's Adriatic coast. Renata's father, Teobaldo Tebaldi, was a theater-orchestra cellist of dashing good looks. His wife, Giuseppina, six years older than he and a former volunteer nurse, was an iron-willed woman. When Renata was only three months old, Teobaldo deserted his family...
...entered the Arrigo Boito Conservatory in Parma and began studying voice. In 1940, when she was 18 and on a Christmas visit to her aunt in Pesaro, she got her big break: an audition with famed Soprano Carmen Melis, venerated in Italy as one of the great Puccini singers of all time, and then a teacher at the Rossini Conservatory. Melis took on Tebaldi as a fulltime pupil, made her into the kind of singer she is today. Melis worked on voice placement, taught Tebaldi the piano singing to which her voice is naturally adapted. As models, Melis pointed...
Soprano Tebaldi's forte is her pianissimo. Daughter of a Pesaro cellist, she finished off her studies in Parma with famed Soprano Carmen Melis, who took her in hand and taught her how to float those vivid tones. She made her big-time debut the night La Scala reopened after the war, singing in a concert under Arturo Toscanini. Her specialty is igth century Italian pulse-bumpers, but Renata is a placid, hard-working woman who says she does not really like to sing passionate heroines. How will her Aida sound next week at the Met? Not too passionate...
...owner of vineyards. Music was in the air, and she was picking out tunes on the mandolin before she was four, soon switched to the violin. Curiously, she could not (and still cannot) carry a tune. This failure almost cost her the chance to study at the Pesaro conservatory, but her fiddling got her by, and in two years she had carried away all available prizes. At 17 she won a violin professorship at the Bari conservatory...