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From the long marble steps in front of Venice's railway station, little King Vittorio Emmanuele stepped into a gaily beflagged launch and chuffed off down the serpentine Grand Canal to the Palazzo Pesaro. Behind the palace's mooring poles stood Signor Mario Alvera, Podesta (Mayor) of Venice, and Professor Nino Barbantini, director of The Modern Art Gallery. Together they led their King through the greatest collection ever assembled of the works of Venice's greatest painter, Tiziano Vecelli...

Author: /time Magazine | Title: Art: Venetian Regrets | 5/13/1935 | See Source »

Venice's great Titian exhibition honored no anniversary. Recently the Italian Government acquired the Pesaro Palace from the Duchess Bevilacqua la Masa to use as a museum of modern art. Because Titian knew both the house and the Pesaro family well, once painted a famous view of the building, the palace was decided upon as the ideal place to have a loan exhibition of Titians. Professor Barbantini who wrote the letters, pulled the wires and did most of the spade work to make the exhibition possible, had another name for his show. He called it a Tribute of Regret...

Author: /time Magazine | Title: Art: Venetian Regrets | 5/13/1935 | See Source »

Another monument to Il Duce on which Italians had their eyes last week was the so-called Lira Monument in the little town of Pesaro. There, eight years ago, when statesmen of the world were unanimously convinced that the gold standard is the only honest monetary standard and must be defended as such, Benito Mussolini uttered the words now cut deep into the marble slab of Pesaro's monument: I SAY TO THE WHOLE CIVILIZED WORLD THAT WE WILL DEFEND THE LIRA TO THE LAST BREATH, TO THE LAST DROP OF BLOOD...

Author: /time Magazine | Title: ITALY: Cannon Speech | 12/31/1934 | See Source »

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