Word: peter
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Dates: during 1990-1999
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...care and an abundance of single-parent and two-career households, grandparents willing to care for their grandchildren are highly prized. In the old days, such care was generally rendered by Grandma. Today the social forces that produced the stay-at-home dad have introduced the caregiver granddad. Peter Gross, a retired law professor, picks up grandsons Paul, 3, and Mark, 18 months, every weekday morning at 8:15 and cares for them in his San Francisco home until 6 p.m. "It's a very close, intense relationship that's at the center of my life," says Gross. "What...
There were five couples--all in their 20s and 30s--in the workshop run earlier this year by Peter Fraenkel, director of the PREP Couples Program at New York University's Child Study Center. Fraenkel noticed something curious: when four of the men showed an eagerness to share their feelings more extensively with their partner, the response was, in effect, "What is this guy's problem? He's so needy...
...quiet, implacable Englishman--he may as well be a ghost--scours L.A. for his daughter's murderer. Nothing much, nothing new here, unless you care to study how the fingernails of time have raked across Terence Stamp's still handsome face, or see Peter Fonda playing the cool drug lord his Easy Rider character might have become. As he did in Out of Sight, Soderbergh slices, dices and Cuisinarts the script into flashbacks, scene shifts, stop motion and other distracting foolery. Is he working out a new form of visual storytelling, or has the ever-so-promising director...
...prison release to avenge his daughter Jenny's death. Starting with the facts and speculations offered by her friend Ed (Luis Guzman), Wilson stalks a string of criminals he believes are responsible for her mysterious and fatal car crash, eventually confronting high profile 60s record producer Terry Valentine (Peter Fonda). However, as the contrasts between the righteous Limey and slimy Valentine diminish with the film's progression, the epiphanic conclusion is neither simple nor expected. Like any good noir, the hero's conscience is far from clean and his enemy is both charismatic and tragic. Both are ultimately confused victims...
...While Soderbergh's technique brings such crucial themes into focus, it falters by sometimes scattering the scope of the film and jolting the audience from more traditional scenes. Otherwise, The Limey is entertaining as well as innovating. The casting of Terence Stamp and Peter Fonda, whose long and acclaimed careers have paralleled one another on either side of the Atlantic, complements the comparison and contrast of their characters in the film. Stamp's portrayal is at the same time brutal and pathetic. After being humiliated and beaten, Wilson retaliates against his attackers-however, his extreme violence reverberates as frustrated helplessness...