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Word: petered (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...though, the 1956 Boston Arts Festival tallies up as the finest so far, and for this much of the credit must go to general chairman Nelson W. Aldrich '34 and Festival director Peter Temple...

Author: By Caldwell Titcomb., | Title: Boston Arts Festival Praised As Greatest Success to Date | 7/2/1956 | See Source »

...which assured his 16th defeat in 16 tries at the Open. Jack Fleck, last year's winner, did not even qualify for the final two rounds. When the 51 finalists lined up for the last 36 holes on the lush green course, an affable, free-swinging Australian named Peter Thomson, 26, held the lead by a single stroke over Old Pro Ben Hogan, out for his fifth Open title. Rangy Gary Middlecoff, 35, the Memphis dentist, was only two strokes back, even though he had taken horrendous sevens to fill two of the cavities in the first two rounds...

Author: /time Magazine | Title: Sport: I'm Not Sorry | 6/25/1956 | See Source »

Texaco Star Theater (Sat. 9:30 p.m., NBC). Jimmy Durante plays host to Peter Lawford, Anna Maria Alberghetti...

Author: /time Magazine | Title: TELEVISION: Program Preview, Jun. 25, 1956 | 6/25/1956 | See Source »

...Producer Leonard Sillman seems to be restricting these shindigs to presidential-election years-is agreeably sassy and glossily intimate. If there is a serious weakness, it is much the weakness of New Faces of '52: the product isn't really up to the packaging. Peter Larkin, largely with airy spiral staircases and rows of slatted doors, has created gay all-purpose backgrounds, and Thomas Becher has brought to the costuming just the right lunacy or lure. The 19 new faces are often expressive as well as likable, the show moves pleasantly along, the turns vary considerably in style...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, Jun. 25, 1956 | 6/25/1956 | See Source »

Visually there can be no complaints about Shangri-La. Peter Larkin's sets have beauty, atmosphere, even-by musicome-dy standards-moderation; and Irene Sharaff offers charmingly exotic and ceremonial costumes. But what is most impressive about the evening could be almost as well conveyed in a stereopticon show. Harry Warren's music is commonplace. What action there is, however momentarily piquant, soon languishes. Hard though the show tries to be cheerful, philosophy is always breaking in, and no sooner does philosophy take its ease than show business bangs loudly on the door. For all Shirley Yamaguchi...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Jun. 25, 1956 | 6/25/1956 | See Source »

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