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...PETER JACKSON by Richard Corliss...

Author: /time Magazine | Title: Table of Contents: Apr. 26, 2004 | 4/26/2004 | See Source »

...OUTLINE; KIDMAN: JAMES WHITE--CORBIS OUTLINE; BECKHAM: DAMIEN MAGUIRE--ALLACTION/RETNA; IYENGAR: PABLO BARTHOLOMEW; JONES: CLAY PATRICK MCBRIDE--RETNA; OUTKAST: MATTHIAS CLAMER; VAJPAYEE: KAMAL KISHORE--REUTERS; ARMSTRONG: JONAS KARLSSON; KERRY: DAVID BURNETT--CONTACT PRESS; GALLIANO: ERIC RYAN--GETTY IMAGES; GIBSON: SAM JONES--CORBIS OUTLINE; KAUFMAN: SEAN GALLUP--GETTY IMAGES; MANDELA: PETER TURNLEY--CORBIS; BUSH: BROOKS KRAFT; ANNAN: WILLIAM COUPON--CORBIS OUTLINE; NAKATA: PHILIPP HOHNDORF--STARFACE/RETNA; SISTANI: HO; ABIZAID: AFP--GETTY IMAGES; ADRIA: RAPHO; OPRAH: FRAZER HARRISON--GETTY IMAGES; BURNETT: STEPHEN CHERNIN--GETTY IMAGES; EBADI: BEHROUZ MEHRI--AFP/GETTY IMAGES; PUTIN: MAXIM MARMUR--AFP/GETTY IMAGES; GOOGLE GUYS: FERGUS GREER--ICON INT.; WOODS: STEPHEN...

Author: /time Magazine | Title: Table of Contents: Apr. 26, 2004 | 4/26/2004 | See Source »

...tight control over how and where the products are sold, Arnault turned Vuitton and Dior into highly profitable global businesses. In the economic downturn, Arnault reined in his acquisitive urges. Now that growth is picking up, gossips in the fashion world wonder when he'll start buying again. --By Peter Gumbel...

Author: /time Magazine | Title: Bernard Arnault | 4/26/2004 | See Source »

...anywhere in the world and within minutes determine which fund managers are interested in the stock, and file a research note to them. Now she's reinvigorating a performance-driven culture, giving Fidelity some sizzle by encouraging managers to make bigger bets on their best ideas. That's how Peter Lynch turned Fidelity into a household name. Ned Johnson has been speaking for the firm during the fund scandals that erupted last fall; he'll take the heat if trouble reaches Fidelity's doors. But very soon, trouble or no, his daughter will be in control--and by all accounts...

Author: /time Magazine | Title: Abigail Johnson | 4/26/2004 | See Source »

...Roger Ebert called Peter Jackson's The Frighteners "a film that looks more like a demo reel than a movie--like the kind of audition tape a special-effects expert would put together, hoping to impress a producer enough to give him a real job." Ebert couldn't have known how right he was. For in making the film, Jackson had amassed a gigaload of effects technology. He just needed the right subject in which to put his cybertoys to spectacular...

Author: /time Magazine | Title: Peter Jackson | 4/26/2004 | See Source »

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