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...Watching Peter Sellars’ Much Ado about Nothing is like walking across a room blindfolded—it’s easy if you’re well acquainted with the terrain but painful and confusing if you’re not,” wrote Crimson editor Scott A. Rosenberg...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

...Peter M. Sellars ’80 once directed a show in the Hilles library elevator. At another point, he dressed actors in bug costumes with mops on their heads. In a third show, he dug up the floor of the Adams House basement...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

States seemed perturbed by the entire circus: “Assaulted by Sellars’ sound and fury, we feel confused, trapped, and embarrassed… Why does Peter Sellars have so much contempt for his audience that he goes so far out of his way to make things inaccessible...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

Crimson reviewer David M. Frankel ’81 wrote, “Peter Sellars has balls. His King Lear drives Shakespeare’s poetry to a North Hollywood parking lot, yanks it from the back seat stabs it helter skelter while the gods guffaw...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

When the lead actor quit, because he was “unable to reach the level of intensity” his director sought, Peter Sellars himself stepped into the title role...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

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