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Married. Joan Hackett, 30, rising Broadway comedienne (Peterpat), currently cast as Dottie Renfrew, a Bostonian of uncertain virtue, in the upcoming film version of Mary McCarthy's The Group; and Richard Mulligan, 33, her leading man; he for the second time; in Manhattan...

Author: /time Magazine | Title: Milestones: Jan. 14, 1966 | 1/14/1966 | See Source »

...Broadway PETERPAT, by Enid Rudd. In olden days, man fought Tyrannosaurus rex; nowadays he battles Tyrannosaurus regina-his wife...

Author: /time Magazine | Title: Television: Jan. 29, 1965 | 1/29/1965 | See Source »

...Broadway PETERPAT, by Enid Rudd. In olden days man fought Tyrannosaurus rex; nowadays he battles Tyrannosaurus regina -his wife. With Dick Shawn and Joan Hackett deftly handling the key roles, this wry, observant comedy argues with cogency that marriage is funny as hell...

Author: /time Magazine | Title: Television: Jan. 22, 1965 | 1/22/1965 | See Source »

...second and last act of Peterpat is a kill-and-make-up reconciliation scene. Under Joe Layton's fluid direction, it is a remarkably resourceful display of in-bed infighting. The sight gags are eruptively funny and the dialogue blends the flip quip with the rueful truth, as when Pat says to Peter apropos of his mistress: "Just think, if you had married her ten years ago, today you could be having an affair with...

Author: /time Magazine | Title: Theater: Kill & Make Up | 1/15/1965 | See Source »

Dick Shawn and Joan Hackett are admirable foils. He paints the clown-husband character with broad vaudevillian brush strokes. She is a comic pointilliste, and her precise inflections of wifeliness dot the brain like a quiver of hatpins. Peterpat sometimes gets enveloped in the vapors of farce, but one deep breath of comic wisdom animates it-marriage is as funny as hell...

Author: /time Magazine | Title: Theater: Kill & Make Up | 1/15/1965 | See Source »

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