Word: peters
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Dates: during 1960-1969
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...STAGE 67 (ABC, 10-11 p.m.). Music and lyrics by the Fiddlers on the Roof, Sheldon Harnick and Jerry Bock, add new dimensions to Oscar Wilde's The Canterville Ghost, featuring Sir Michael Redgrave, Douglas Fairbanks Jr., Natalie Schafer. Tippy Walker and Peter (Herman of the Hermits) Noone...
...WRONG BOX. Bryan Forbes has a high old time directing Michael Caine, Ralph Richardson, John Mills and Peter tellers in a Victorian spoof of such varied subjects as vast fortunes, star-struck lovers, Bournemouth stranglers venal doctors, missing bodies and orphaned cousins...
...three acts divide into surrealistic vaudeville episodes in the life of an anti-hero at ages 22, 32 and 42. In Act I, Lieut. Frank More (James Bolam) reports at a demobilization center sans troops or trousers. The colonel (Peter Bayliss) doesn't notice, since he is a total Blimpcompoop. He does notice that the peanuts are missing at the officers' bar, and he raises unprintable hell. World regularly mocks British dead-face understatement about things that count v. British redneck rage over trifles. Bayliss does a kind of tonsillectomy of his part. He wheezes, bleeps, snorts...
...quiet business-like administration offered by John Volpe was attractive to the Massachusetts electorate, but the voters should be wary of keeping such a man in office for four more years. Massachusetts can no longer neglect her obligations in education, justice, and administrative and constitutional reform. The interference of Peter Volpe, the governor's brother, in the selection of architects at the University of Massachusetts and the re-examination of the Inner Belt indicate perhaps the Commonwealth's government is being conducted on principles actually too close to those of the business world...
...Assassination of Marat as Performed by the Inmates of the Asylum at Charenton under the Direction of the Marquis de Sade (abbreviated Marat/Sade) owes much to the scheme of those who created it (abbreviate Weiss/Brook). Sired by Brecht, Artaud, Genet and Pirandello, conceived by the German filmmaker and novelist Peter Weiss, translated by Geoffrey Skelton, set to music by R. C. Peaslee, and delivered in London and New York by the Royal Shakespeare Company's Peter Brook, the play is not one man's play open to interpretation by other men. It is an anthology of the century's predominant...