Word: peters
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Dates: during 1960-1969
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...often, the angry young men of the new anarchy do not know what they are talking about, argues Paul Goodman in the preface to this new edition of the classic autobiography of an original anarchist, Prince Peter Kropotkin. The anarchist movement was indeed revolutionary. But its best thinkers in general, and Kropotkin in particular, were not wreckers but visionaries, more concerned with postulating a new society of individual freedom than in the momentary task of destroying the established one. Today's students must realize, adds Artist Barnett Newman in the foreword, that "revolution is more than a Nihilist Happening...
Full Circle. Peter Kropotkin was a prince of Imperial Russia and, as the Irish say, a prince of men. He could have been a pampered and powerful member of the Establishment he chose to fight against; he cheerfully endured exile and long imprisonment but showed none of the pride, power mania or personal deviousness that disfigure the image of so many revolutionaries. As a child, he had slept during a court ball in the future Czarina's semi-sacred lap, and he died (at 78) safe, as it were, in the bosom of Stalin, only a troika...
...contrary-not just the obvious beastliness of the bourgeoisie, officials and police but the perfidy, cowardice, treachery that would turn up even among the comrades-Kropotkin continued to believe in the goodness of man. If everyone were like him, anarchism might have a chance. But few men like Peter Kropotkin grow on the family tree of man-a fact that Kropotkin himself never realized...
...dramatization of the Book of Job which opened at the Agassiz last night is the latest report on Mayer's development. By his standards it is a modest production. The cast is smaller than the cast for his adaptation of Jesus which played earlier in the summer; Peter Ivers's music is much less conspicuous than in the previous show--though the music seems to be one of the niceties which was sacrificed in the desperate effort to get the show open on time. But their reduction in scale and the last-minute pruning serve only to concentrate our attention...
...wonderfully bratty, saucy and puckish that it is hard to imagine what liberties she will take when she has fully mastered her part. Michael Dobbson clowns splendidly in a mime of Jonah and the whale--a mime set to cello music in a kind of Mayeresque Peter and the Wolf...