Word: peters
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Dates: during 1960-1969
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Still appearing in print is one of the Lampoon's graduated greats, Peter Gabel '68, who writes in this issue a play based on the idea that working class laborers dislike the student rebels who claim to be their allies. This is a good example of where the Lampoon's ideas are OK, but not particularly interesting...
Senior Editor Peter Bird Martin traveled to Majorca to meet the man himself. Martin missed a connection in London and arrived at Villa Fielding a day late. "I got there in the middle of a luncheon Nancy Fielding and her husband had arranged for the TIME team," says Martin. "Our correspondent, Gavin Scott, and Photographer Ben Martin were already there, awash in the famed Fielding charm. I had to keep reminding myself that however much we liked him, we also had to evaluate his book." For Martin, the most memorable moment of the visit was reached at dinner, when Fielding...
...successfully dipped into the Hair repertory is Nina Simone, whose soulful Ain't Got No/ I Got Life for a time was the top pop hit in Britain. Last month, the gospel-oriented Staple Singers came out with a lively version of Aquarius in "soul-folk." Peter Duchin, Barbra Streisand, Lester Lanin and Nelson Riddle have all taken Hair to heart. Next, Lawrence Welk...
...many campuses where coed living is accepted, students are pressing for one final freedom: the right to visit rooms with no restrictions. Peter Wilson, 25, a U.C.L.A. residence adviser at coed Earle Hedrick Hall, insists that they want open visitation rights, "not because they want to see girls 24 hours a day but because they want to be trusted to use their own judgment." But at San Diego State College, the men and women who share Zura Hall voted against any visiting in rooms. "It was not as much a question of morality as it was one of inconvenience," says...
...head as six Philistine heads loom above, demonstrates Auden's observation that the old masters were never wrong about suffering: "How well they understood /. . . how it takes place/ While someone else is eating or opening a window or just walking dully along." The small figure of St. Peter from the Third Abbey Church at Cluny is stylistically as spare as anything Matisse ever contrived, humanistically as moving as Rembrandt's Peter. Weighed down with the keys of the church he was charged to found, the guilt of his denials etched in his face, this Romanesque Peter creates...