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Word: peters (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Meanwhile, the central Government has become so huge that its power seems virtually without limit. But in The Age of Discontinuity, Peter Drucker suggests that to a future historian "impotence, not omnipotence, may appear to be the remarkable feature of Government in the closing decades of the 20th century." While the Federal Government collects taxes with ruthless efficiency, it can no longer move the mails with dispatch; it spends vast sums on welfare, but Sociologist Daniel Moynihan says that it is "highly unreliable" as an instrument for ameliorating the lot of urban Negroes. The multitude of social programs through which...

Author: /time Magazine | Title: Nation: What is holding us back? | 1/24/1969 | See Source »

Monday, 3 p.m.: Danish-born Pianist Gunnar Johansen, 63, gets a phone call at the University of Wisconsin, where he has been artist-in-residence since 1939. Boris Sokoloff, manager of the Philadelphia Orchestra, is on the line. Conductor Eugene Ormandy and Pianist Peter Serkin have disagreed on the interpretation of Beethoven's Piano Concerto in D Major, which Serkin was to play with the Philadelphians in Manhattan's Philharmonic Hall the following evening. Could Johansen fill in? Johansen has never even heard the piece, a little-known transcription by Beethoven of his only violin concerto. He dashes...

Author: /time Magazine | Title: Pianists: Diary of a Miracle | 1/24/1969 | See Source »

Fleetwood Mac, yet another of the English blues groups, is built around two Mayall proteges and the influence of the master shows very clearly. Peter Green on lead guitar plays an authoritative and firm role with his sinuous guitar lines, insistently and sympathetically guiding the group to put out the refined and fluid sound that is so typically Mayallian. The other presence is that of John MacVie (also ex-Bluesbreaker) who contributes a strong and uncluttered and incredibly well-felt blues-bass throughout. This kind of restrained and delicate watered-down imitation of the Chicago sound is a valid method...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

...examine the limits and variances in perception. It is such an inquiry into ourselves that is at the roots of Deaf Dumb and Blind Boy. Suppose a person has none of the normal mechanisms of perception; in what terms will be formulate his understanding of the world? Peter Townshend's answer is that the world is understood wholly in terms of vibrations, perceived through the sense of touch I presume. Thus, his recreation of the story of a particular deaf, dumb, and blind boy is wholly musical. He is seeking not only to imagine what such a person is like...

Author: By Michael Cohen, | Title: The Who: It's Very Cinematic, You Know | 1/22/1969 | See Source »

...normal apparatus of a regular old rock and roll band, but their sound is unique. The only two groups that have done remakes of Who songs are the Amboy Dukes, and Count Five, but both of them were dismal limitations. Look at the individual members of the group. Peter Townshend plays lead and writes most of the songs. A lot of the time he plays chorded lead like the Stones on "Jumpin Jack Flash." A lot of the time he uses feedback. His lead is never predictable or clear cut; more so live than on the records. Often the breaks...

Author: By Michael Cohen, | Title: The Who: It's Very Cinematic, You Know | 1/22/1969 | See Source »

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