Word: petition
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Thus, like a peek inside some space-age incubator, began the world première last week of Roland Petit's Paradise Lost - no direct kin, obviously, to John Milton's sturdy epic of the same name. Neon eggs are unusual enough, but more unusual was the fact that the work was hatched by London's Royal Ballet, the venerable guardian of traditional repertory. What is more, the roles of Adam and Eve were danced by the foremost duo in romantic ballet, Rudolf Nureyev and Margot Fonteyn...
Fluid Drive. If the story line was somewhat benumbing, the dancing was dashing and vigorous. The audience, which included Princess Margaret and Rolling Stone Mick Jagger, was obviously enthralled. Nureyev's dancing was all primal passion, Fonteyn's all youthful savage grace. Petit's choreography had the clean, square-cut lines and angles of an abstract painting and included some wild acrobatics. At one point, Nureyev executed somersaults while with one hand supporting Fonteyn as she turned in arabesque...
BRAVO PICASSO! (NBC, 6:30-7:30 p.m.). Documenting the artist's life and work with a massive display of canvases and sculptures, some seen via satellite from Paris' Grand Palais and Petit Palais exhibits...
...also half the spread's name. The Win in Winrock is for Winthrop, but the Rock is for Rock the bull, not Rockefeller. Then he put in six artificial lakes, rebuilt the original house as a stone-and-glass palazzo, pumped water 850 ft. up the side of Petit Jean for an irrigation system, built roads and an airfield. He owns four planes, including a ten-passenger jet, employs five pilots, and has flown more than 3,000,000 miles with his private air force. He has no hobbies apart from occasional tree-pruning excursions. His vocation and avocation...
...most visitors, jostling their way through the huge crowds in Paris' Grand Palais, Petit Palais and Bibliothèque Nationale, it was more like threading a path through a maze presided over by the commanding, and at times terrifying, 20th century Minotaur. To guide viewers, Paris newspapers were running floor plans, and a TV program highlighted the "100 hinges," or turning points, in Picasso's career. Critics could have doubled that number; yet the overwhelming impression was that, for all of Picasso's protean changes, what is essentially Picasso is now well known...