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...Americans really need all of this advice? In any age, most of the interest in manners is casually voyeuristic rather than urgently practical. Manners are entertaining, inherently dramatic. Taken all together, they present a sort of shimmering petit-point likeness of a society. Especially now, in an era of broad transition, manners tend to be brittle and sparky?the friction of an older system being rubbed against by an abrasive future...

Author: /time Magazine | Title: America's New Manners | 11/27/1978 | See Source »

...period from 1880 to 1914 that the show concentrates. Few painters have had more difficult beginnings than Munch. They might have crushed his talent; instead they gave it a permanent irritability. His family was sunk in a kind 'of permanent neurasthenia, the petit-bourgeois provincial twilight known to every reader of Strindberg or Ibsen. He was, almost literally, raised in the family sickroom, in a dreadful atmosphere of whispers, enforced silences, vomit, snot and the cold stink of carbolic acid...

Author: /time Magazine | Title: Art: The Master of the Anxious Eye | 11/27/1978 | See Source »

...Petit said it took him about two weeks to sell his letters. "Outside of Harvard, people are more likely to buy the letter," he said. "There's just something about the people here that makes them unwilling to buy it," he added...

Author: By Miriam F. Clark, | Title: From California to Cambridge: Chain Letter Offers Big Payoff | 11/7/1978 | See Source »

...Petit has not made any money on the letter yet, but he said a "friend of a friend" of his made $9000 from...

Author: By Miriam F. Clark, | Title: From California to Cambridge: Chain Letter Offers Big Payoff | 11/7/1978 | See Source »

Ionesco, of course, survived this estrangement from ideology. But beginning in 1968, with the Russian invasion of Czechoslovakia, he writes heavily in protest of the continual censorship of non-leftist artists by these "petit bourgeois leftist intellectuals who think they are revolutionaries." (He has also called them "Nazi intellectuals from the Sixteenth Arondissement," the wealthiest section of Paris where Sartre, Barthes, Simone de Beauvoir, Godard, Duras and others live.) In his book, Present Past, Past Present (1971) he notes: "We (in France) have a liberal press and a censorship by a literally authoritative opposition"--an opposition which until...

Author: By James Ulmer, | Title: An Interview With Eugene Ionesco | 3/9/1978 | See Source »

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