Word: peto
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...compare mortality during the 14-month period before the invasion with nearly 18 months just after it. In September, members conducted interviews with 988 randomly selected Iraqi households in 33 statistically representative sample clusters around the country, then extrapolated for the entire population through a complex statistical process. Richard Peto, professor of medical statistics and epidemiology at the University of Oxford, and other experts have called the methodology sound. But Roberts' report comes with caveats: for example, the researchers noted that their "confidence interval" (a kind of statistical measuring stick), is quite wide, giving an estimated range...
Perhaps the most interesting painter to reflect this mood was John Frederick Peto (1854-1907), who specialized in eye-fooling, hypernaturalistic still life. In his work, the image of the martyred Lincoln recurs frequently, to the point of obsession, usually taking the form of a daguerreotype pinned to the board or pushed under a tape. Peto was praised for what Americans traditionally liked, skill and illusionistic power (How the hell did he do that?). But his deeper anxiety and the hints of an imperiled social order, reflected in the entropy of his objects, were lost on viewers...
...epidemiologist Richard Peto, researchers at Oxford University pooled together the raw data from 133 studies conducted around the world on 75,000 women with operable breast cancer over the past four decades. Using a complex and unusual statistical process, they found that for women with early cancer, tamoxifen boosted 10-year survival rates from 71% to 75%. Although that kind of advance seems incremental, it translates into tens of thousands of lives each year...
...same pitch of high manneristic skill can be seen, though used to wholly variant ends, in the work of Richard Shaw, 40; drawing from the American trompe 1'oeil tradition begun in the 19th century by Peto and Harnett, Shaw casts objects-playing cards, books, tin cans, ax handles-in porcelain and then glazes them into a more than photographic accuracy of surface. Sometimes, though not often enough, a flash of real poetry appears in the midst of Shaw's virtuoso pedantry. Moonlight Goose, 1978, with its loving simulations of flaking paint and marbled paper, attains a wistful...
...hill, an angled fence, the diminishing height of trees. The viewer feels that he has actually stepped into the landscape. Porter's murals customarily covered every square inch of the wall with a rustic version of trompe 1'oeil that prefigures William Harnett and John Peto. Doorways were incorporated into his overall composition by foliage or puffs of volcanic smoke painted around them. Wood graining and knots were repeated in the horizontals of tree limbs and clusters of figures...