Word: petric
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Dates: during 1970-1979
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...Vlada Petric is a Visiting Professor of Visual and Environmental Studies at Harvard University...
During our interview, someone compliments Petric's patterned shirt. In response, he quotes from a poem called "Song of the Shirt." "Who wrote that?" he asks me. I tell him I have absolutely no idea. "It begins, 'Stitch, stitch, stitch," he says. "You're an English major--who wrote it?" I shrug stupidly. Annoyed, he gets up and asks several people standing outside his office. They shrug too. "Imagine--teaching assistants, and nobody knows 'Song of the Shirt!' "By now he is worked up; he picks up the phone and dials Widener Library. The librarian refers him to the Reference...
...understand Vlada Petric's vision of cinema, it is useful to cite and examine specific films. When I venture to say that Lina Wertmueller's Seven Beauties is among my favorite films, he characterizes her as "an interesting but unimportant filmmaker, a kind of Jacqueline Susanne of the cinema" who "entertains bourgeoise intellectuals on a slightly higher level than junk. In Seven Beauties the cinematic structure and forms that she chose don't correspond to the narrative and ideological substance. That content is superficially conceived she treated the dramatic concept without artistic depth." He then points out that we have...
Next spring, Petric hopes to teach a smaller course in either the evolution of silent cinema, or avant garde cinema. As a result of the combined promises of President Bok, Dean Rosovsky, and the Luce Foundation, he hopes to see the Carpenter Center purchase new 35-millimeter equipment, thus enabling the study of the newest films and allowing current filmmakers to introduce their works at Harvard...
...subject of an interview, Vlada Petric is as demanding and enthusiastic as he is when teaching. "I have an ending for your article," he says, suddenly, and waves his hands while composing his sentences. "I know the future of the film program at Harvard will depend on money," he begins. "Film Studies is an expensive medium which when approached in a scholarly way does not bring back profit. But there are dreams, dash-dash, even in academia, dot dot dot, that money cannot buy." His last sentence, he explains, is a pun of a '40s avant-garde film called Dreams...