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...function of film studies on a university level, says Petric, is to introduce the student to cinematic artists whom the popular moviegoers ignore: experimental filmmakers such as Stan Brakhage, Bruce Bailey, or Hollis Frampton, or foreign artists such as Kenji Mizoguchi or Jean-Luc Godard...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

...Theory of Value, meets with representatives from the Luce Foundation, as well as President Bok and Dean Rosovsky. No one had dared hope for much going in, but the Luce representatives and Bok and Rosovsky express their enthusiasm for the program and pledge future financial support to expand it. Petric, who has received several offers from other colleges, is offered a renewed professorship, which he immediately accepts...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

...focus of the course which Petric has taught, Humanities 193, "History of Film: The Fvolution of Cinematic Expression," and the focus of his study of the cinema, is film as a unique art form. In his report, Petric writes, "Borrowing techniques common to literature, painting, music, photography, theater and other art forms, cinema has been able to assimilate more features belonging to other means of expression than any other pretwentieth century means of communication." Petric stresses that film artistry is the result of using visual and aural cinematic devices to convey thematic elements. A film may be intelligently written...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

...Petric admits that one can approach film from numerous interdisciplinary angles (political, social, etc.)--and indeed he hopes to see courses and seminars in "Political Filmmaking," or "Film and Literature"--but such disciplines are not enough for Petric, since none treats film as an autonomous form of artistic expression...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

Professor Petric often complains bitterly in his lectures about "journalistic film criticism," which only treats film "thematically and impressionistically. Reviewers can be moved by Chaplin, excited by Renoir, or taken by Citizen Kane, but hardly anyone specifically justifies his point of view analytically or cinematically." Music or art criticism, he points out, is often analytical, whereas film criticism...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

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