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Word: petry (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...being packed into one small room with 15 such people can be overwhelming for the less self-assured. "Some of those Cliffies are really petri- fied," said one of the section leaders. A Radcliffe freshman laments, "All the others are so brilliant. I'm frightened to open my mouth." Freshmen are often sure that at least half the class are juniors and seniors. Upperclassmen in the same section think the opposite -- "They put me in to balance out 18 brainy freshmen," comments...

Author: By Richard R. Edmonds, | Title: Revised Gen Ed A Surprises All By Turning Into the Season's Hit | 12/16/1966 | See Source »

Sometimes a pretty ugly movie like The Hill makes it on dramatic tension alone, and sometimes a dramatically vacuous one like Red Desert makes it purely on pictorial grace. Sometimes a movie like Elio Petri's The Tenth Victim, with Ursula Anbuild-up that fools people into seeing redeeming graces gets a publicity dress, Marcello Mastroianni...

Author: By Jeremy W. Heist, | Title: The Tenth Victim | 1/24/1966 | See Source »

Director Elio Petri is apparently the chief villain, both for taking on so uneventful a screenplay and for composing such ugly shots. Petri used the technicians and the cameraman who worked with Antonioni on Red Desert. He has proven how effectively a film-maker can nullify such technical contributions by composing his images with the carelessness of a soap-opera director...

Author: By Jeremy W. Heist, | Title: The Tenth Victim | 1/24/1966 | See Source »

Director Elio Petri is deft and stylish with an escapade between a svelte, sexually inhibited matron (Claire Bloom) and an ardent industrialist (Charles Aznavour). After chasing around the tycoon's sumptuous beach house, the lady reveals that her whim for today is rough stuff in a sleazy motel room-a touch of aberration that is clue to a conventional surprise ending. In the last episode, Modern People, directed with rich detail and folksy color by Mario Monicelli (Big Deal on Madonna Street), a cheese dealer (Ugo Tognazzi) offers his wife to a creditor in payment of his gambling losses...

Author: /time Magazine | Title: Cinema: Shaking the Bedclothes | 7/23/1965 | See Source »

That editor Thomas E. Petri was badly misquoted is beside the point now; as with the book, we would rather dismiss past problems and concentrate on looking ahead. Our purpose is to help the GOP build itself into a relevant political force for the future...

Author: NO WRITER ATTRIBUTED | Title: NO ANALOGY INTENDED | 5/31/1965 | See Source »

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