Word: petulia
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...with a mission: to expose, and explode, the state's dictatorial power. Scripters Andy and Larry Wachowski match their work on The Matrix, fashioning a ripping action yarn that is also a provocative political statement (justifying violence against authority). This V is for Vivid, Vexing and Very good. Petulia Richard Lester Gorgeous, desperately madcap Petulia (Julie Christie) needs a Galahad to rescue her from marriage to a handsome brute (Richard Chamberlain). She chooses Archie (George C. Scott), a surgeon who has just left his wife (Shirley Knight). Released in 1968, this astringent love story, which Lester (A Hard...
...film is stocked with sprightly gags-from the opening credit sequence, with its Rube Goldberg series of mishaps, to the evil Superman getting a wicked charge out of setting the leaning tower of Pisa aright. Director Richard Lester (A Hard Day's Night, Petulia) paces the jokes to his trademarked sprung rhythm and sees that they are deftly executed by his engaging cast. Vaughn may lack the top-dog malevolence needed for an archvillain, but he communicates the fun he had playing the role. O'Toole, whose cheerleader beauty has too often been camouflaged...
...last decade, all full of soured good vibes and oafish notions about freedom of the spirit. Maritza is supposed to represent the wildness that Main longs for, the last chance of his life. From everything Director John Korty (The Autobiography of Miss Jane Pittman) and Writer Lawrence Marcus (Petulia) show us, she is as liberating as Lucrezia Borgia. Maritza gobbles fruit and chats about Django Reinhardt while Alex makes love to her; she also has a hard time staying out of jail for assaulting another bedmate. No prize himself, Alex is ever aware of his paramour's wanderlust; during...
...Look Now (1973). Wide popular success continues to elude him, however, perhaps because he is a director who challenges an audience continually. Roeg means to change, or at least radically modify, the way we watch and respond to movies. He was formerly a brilliant cinematographer (Petulia, Far from the Madding Crowd), and images retain primacy in the movies he has directed. He uses little dialogue, intending the meaning of a movie to come clear through what is seen and intuited, not what is spelled...
...movie was directed by Richard Lester, a film maker of satiric skill and carbolic wit unsurpassed in the contemporary English-speaking cinema (Petulia, The Bed Sitting Room and the recent Three Musketeers). Lester is also a superb stylist, and he has made Juggernaut into a cunningly engineered entertainment, full of suspense. The Poseidon Adventure, by inevitable comparison, looks like something staged by a kid in his bathtub just before bedtime. Lester has done the calamity number about as well as it can be done. Why it has to be done at all is another matter...