Word: pevsner
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...Germany's greatest painter? Half a century ago, the title would have been disputed among Albrecht Diirer, Lucas Cranach and Hans Holbein the Younger. Now Nikolaus Pevsner, German-born head of the History of Art Department at London University's Birkbeck College, unhesitatingly comes out for the 16th century Gothic master whom critics have long called Matthias Griinewald...
...comprehensive study of Griinewald (Abrams; $15), Critic Pevsner reproduces all that has been definitely identified as the painter's work, a mere 38 sketches and the whole or parts of ten altarpieces, including the Washington National Gallery's Crucifixion (TIME, July 18, 1955). Quite properly, 62 of the book's 143 plates are devoted to Griine-wald's twelve-paneled Isenheim altarpiece (now in Colmar's Unterlinden Museum), a work so famous it was mentioned in the Treaty of Versailles...
...Sculptor Naum Gabo, a near neigh bor of Breuer's in Connecticut, the Bijenkorf commission was the dream of a lifetime. A constructivist (along with his brother, Antoine Pevsner) since the movement's pioneer days in Russia, Gabo still bases his work on the esthetics of mathematics, modern material, and machine motifs. His present work, which took more than a year to construct in steel and aluminum bronze, is as abstract as he has ever done. "I'm not a naturalist," he explains, "who works from a face, a landscape or an event. I have only...
Back to Vulcan. The metal sculpture school has roots as far back as Vulcan. Its immediate antecedent is constructivism, proclaimed by two Russian-born brothers, Naum Gabo (now in the U.S.) and Antoine Pevsner (now in Paris), who in 1920 revolted against cubism: "Depth alone can express space. We reject mass as an element of sculpture . . ." By approaching the problem like engineers, Gabo and Pevsner (see color page opposite) turned out metal objects that have the smooth, polished beauty-and the coldness-of a mathematical equation...
...Editor Pevsner has two more volumes, on France and Britain, in the works for 1953, four more for 1954. And he has the best brains in art working on others-so many, in fact, that the London Times Literary Supplement once groused that "the Pelican History of Art is monopolizing many of our leading authorities...