Word: phallically
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...longer. Last week a show of funk art at the Berkeley museum drew thousands of the curious, intrigued by reports that funk art is also often more than a little obscene. Robert Arneson's vaguely phallic telephone, with LOVER spelled out on its dial, is merely suggestive, but William Morehouse's The Colony had a fatherly security guard blushing furiously as he confided to a female gallerygoer that "some people say those round things are supposed to be female organs...
...fifteen minutes for a hamburger. If you're in a hurry, try the counter. For amusement there are two highly comical drink machines, one containing grape, the other red punch. Always in motion, they slop and squirt the liquid up, down, all around. On especially good days, they become phallic; the punch machine plays the male to the grape machine's female...
Among the string players, adds Greenson, sex is the dominating factor. When a solo violinist assumes his proud stance, he exudes a "phallic pride. He wants to make love to the audience. It is an attempt to prove that 'I am lovable, attractive and irresistible.' It sets a mood, and this applies especially to those who doubt their powers and attractiveness." Cellists woo too, by the way they hug their female-shaped cellos. This is healthier, suggests Greenson, because the "cello is more of a grown-up figure, yet passive." Musicologist Dorothy Bales sees the struggle...
...behavior is ascribed to his "regional inferiority complex." Russia's inflexibility is attributed to the custom of binding newborn babies tight in swaddling clothes. Charles Whitman's shooting people from the clock tower of the Texas campus is diagnosed as a case of sexual overcompensation (on a phallic tower with a phallic rifle). Stanford Associate English Professor Bruce Franklin notes that "our basic method of fighting in Viet Nam is anal-sadistic. A man in an airplane is in a nonorganic environment, symbolically defecating on the organic world below...
...provincial school teacher, Moreau expresses her lust for an Italian woodcutter (Ettore Manni) by scourging the countryside with fire, flood and poison. Moviegoers may take it or leave it; but those who stick around will probably want to amuse themselves by counting phallic symbols. Snakes and falling timber abound, and Mademoiselle's metaphor for the act of love is an ax blade buried in lumber. Xenophobia, pyromania and sundry aberrations are touched upon, while Genet catalogues the destructive power of Woman. On the night before the woodsman is beaten to death by the villagers who suspect...