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...Wilde, who owed so much to his ideas and style), Whistler was seen as an honored veteran and not an avant-garde figure; his paintings had lost whatever experimental look they once had, and were surpassed by impressionism. Curiously, his biggest influence was on writing. Poets Stéphane Mallarmé found their own cult of the indeterminate, the penumbra of experience, confirmed in his work. The Whistlerian landscape of Thames kept turning up in English poetry for another generation-not least in The Waste Land, with its "brown fog of a winter dawn" lying on London Bridge. Marcel Proust...

Author: /time Magazine | Title: Art: Pleasures of the Iron Butterfly | 6/18/1984 | See Source »

...Edouard Manet died of tertiary syphilis in 1883 at the age of 51, Emile Zola and Claude Monet helped carry his coffin to the grave. In life, his milieu had included nearly every French artist of significance, along with writers of the stature of Charles Baudelaire and Stéphane Mallarmé; the latter called him "goat-footed, a virile innocence in beige overcoat, beard and thin blond hair graying with wit." Dressed to the nines, Manet was celebrated as a dandy in that city of dandies, Paris. To read his friends and admirers, you would suppose that he never...

Author: /time Magazine | Title: Art: The Most Parisian of Them All | 9/19/1983 | See Source »

...memory was as short as the walk from the pond to the studio. In his genius for rendering evanescence within a monumental structure, Monet became a master of le temps retrouvé: the most Proustian of painters. His truer literary equivalent, though, was the symbolist poet Stéphane Mallarmé. The blank page, for Mallarmé, trembled with possibility, as calm water or the tight-stretched canvas did for Monet. Its white flatness was not an absence: it was a poetic element, possessing the character of thought. "The intellectual armature of the poem," Mallarmé once wrote, "conceals itself...

Author: /time Magazine | Title: Art: The Old Man and the Pond | 5/1/1978 | See Source »

...Charles' modishly tailored shoulders. On the way to his dead mistress's funeral, he silently mouths a confession in the back seat of a car. A police inspector confides to him that the murder may never be solved. With mounting distress, Charles tells his wife (Stçphane Audran) about his affair and the killing. She considers these revelations and is understanding. He tells his friend François, who is forgiving too. "No one," François explains, "is guilty of what happens in a nightmare." After all this, Charles can turn only to the police...

Author: /time Magazine | Title: Cinema: Forgiveness of Sins | 9/29/1975 | See Source »

...Baltimore, there was even more melancholy vandalism. Upon a recent midnight dreary, someone entered the Westminster Presbyterian Church graveyard and pried an 18-in. circular bronze medallion sculpture of Edgar Allan Poe's head from the shaft marking his grave. Stéphane Mallarmé was being too optimistic when he wrote The Tomb of Edgar Poe: "Let this granite at least forever be a boundary/To the foul flights of scattered blasphemy in the future...

Author: /time Magazine | Title: Nation: The Purloined Plaques | 10/5/1970 | See Source »

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