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...evolution of Liberal Lippmann's political ideas is charted less clearly in his editorials than in his books (Drift and Mastery, The Political Scene, Public Opinion, The Phantom Public, Men of Destiny, American Inquisitors, A Preface to Morals). And it is a paradox that his exercise of the Liberal Spirit has brought him to a position which most Liberals would excoriate. He began with a stout faith in the workings of popular democracy and the benefits of collective action. But his newspaper experience gradually bred in him a distrust (again, like Hoover's) of so-called Public Opinion, the judgments...

Author: /time Magazine | Title: The Press: Piano v. Bugle | 3/30/1931 | See Source »

...find a woman who would love him faithfully. There after every seventh year the Dutchman was permitted to go ashore to hunt a liberator. But the rest of the time he wearily sailed the seas until all the Norseland came to know of the white-faced wanderer and his phantom ship with the black masts, the blood-red sails...

Author: /time Magazine | Title: Music: Dutchman and Debuts | 11/10/1930 | See Source »

...Dutchman cast ashore with a Norwegian captain called Daland. Daland had a daughter, Senta, whose fancy had been taken by the queer stories about the Dutchman. She offered him the love which would save him but he doubted her and she threw herself into the sea. Whereupon the phantom ship went down and the Dutchman too found the death he had so long sought...

Author: /time Magazine | Title: Music: Dutchman and Debuts | 11/10/1930 | See Source »

Died. Lon Chancy, 47, cinemactor, (The Hunchback of Notre Dame, The Phantom of the Opera, The Unholy Three) famed portrayer of the grotesque; after a series of illnesses which included an attack of pneumonia, a throat-operation; of anemia, following three transfusions, at Hollywood...

Author: /time Magazine | Title: Milestones: Sep. 1, 1930 | 9/1/1930 | See Source »

...true moving picture, no less effective because a conventional love-interest has been added to the activities of a crazy one-legged sea-captain who wanted to get even with a whale. Across tremendous horizons the camera's eye wheels after the tiny whaling boat chasing a corporate phantom of monstrous, inhuman evil. All the work that a camera can do with great spaces and wild things is done, pictorially, as it should be. This Moby Dick is not a masterpiece. The concentration of the novel, the pressure of a mania growing until it makes the whale itself a Lilliputian...

Author: /time Magazine | Title: Cinema: The New Pictures Aug. 25, 1930 | 8/25/1930 | See Source »

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