Word: phantoms
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...Sondheim on the intricate musicals Sunday in the Park with George and Into the Woods, here limits himself to a few chairs, a doorway, two beds, a white curtain and a handful of props. The result is as magical as the computer-generated wizardry of a Les Miserables or Phantom of the Opera. The action shifts fluidly from reality to fantasy, from confessional thought to naturalistic dialogue, from poignance to farce...
...late 19th century twilight took to ritual "ghost dancing" in the hope of ridding themselves of the white man. The intifadeh is either ghost dancing or nation building, and sometimes it is both simultaneously. It has crystallized the Palestinians' sense of themselves as a nation, but it is a phantom nation still, incandescent but insubstantial...
...prosecutors say she wove a "spider's web of deceit and corruption" that stretched halfway around the world. With testimony from 95 witnesses, the prosecutors have outlined a tangled tale of secret Swiss bank accounts and laundered money, forged signatures and phony names, bribes and kickbacks, smuggled paintings, a phantom ship loaded with Japanese gold from World War II, and offshore shams and scams of such complexity that one wonders how the Marcoses ever had time to run their country...
Past Lloyd Webber extravaganzas concerned animals (Cats), machines (Starlight Express), wraiths (The Phantom of the Opera), icons (Evita) and divinities (Jesus Christ Superstar). His delicate and intimate new work, adapted from a 1955 novel by Britain's David Garnett, is about ordinary human beings learning life's painful lessons. The affections on display include the parental, filial and fraternal; but the emphasis is on the romantic, which takes place mostly between partners of unlike ages and is presented as primarily a process of teaching. Events are often melodramatic, but the tone is rueful and autumnal. From the opening moment...
...group debuts in May with an adaptation of Manuel Puig's The Kiss of the Spider Woman. The score is by John Kander and Fred Ebb (Cabaret) and the staging by Harold Prince (The Phantom of the Opera). Says Prince, winner of 16 Tony Awards for musicals: "I see this as an opportunity for young composers, lyricists, librettists and directors to have a career like I had -- to be able to experiment, to fail, and from those failures go on to create successes...