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Even if The Phantom of the Opera were the greatest show on earth, probably nothing in the way of actual experience could measure up to the hoopla that preceded last week's U.S. debut of the monster-meets-girl musical. No previous offering in Broadway history has rivaled the $18 million advance sale for Phantom, a commitment made by hundreds of thousands of people to pay up to $50 a ticket, generally before having had a chance to hear any of the songs, read any reviews or acquire the vaguest familiarity with the imported-from- London stars...

Author: /time Magazine | Title: Theater: Music Of The Night THE PHANTOM OF THE OPERA | 2/8/1988 | See Source »

...gifts as an entrepreneur are formidable. "Andrew is a brilliant natural exploiter of his own shows," says Mackintosh, who co-produced Cats, Song & Dance and Phantom. "It runs parallel with his creative talent. He understands showmanship: knowing how to launch a song, finding the right artist to promote it, doing the right programs and interviews. All of these things he does with consummate skill." Probably only Lloyd Webber could have written his Requiem as a memorial to his father and then turned the Pie Jesu into a hit song (sung by Brightman and a boy soprano) that climbed...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

Choreographer Gillian Lynne, who worked with him on both Cats and Phantom, says, "Andrew always has one night when he has a fit. He can become like a shark with anger. He is passionate. But that is so much better than people who settle, isn't it?" One such moment occurred during rehearsals for Starlight, when Lloyd Webber argued vehemently with Nunn over two bars of music the director had inserted in order to help the skaters negotiate a dangerous maneuver. Insisted Nunn: "You either have those bars, Andrew, or you'll have a few roller-skating deaths." "O.K.," Lloyd...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

COVER: Andrew Lloyd Webber brings his smash Phantom to Broadway...

Author: /time Magazine | Title: Time Magazine Contents Page January 18, 1988 Vol. 131 No. 3 | 1/18/1988 | See Source »

...British composer of Evita and Cats has his biggest hit yet in Phantom, which opens Jan. 26 after an all- time- record advance sale. With his shows playing from Budapest to Tokyo, Lloyd Webber, 39, presides over a musical empire that brings him more than $1 million a month (though not always critical acceptance) and is making him a superstar. See SHOW BUSINESS...

Author: /time Magazine | Title: Time Magazine Contents Page January 18, 1988 Vol. 131 No. 3 | 1/18/1988 | See Source »

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