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Word: phantoms (lookup in dictionary) (lookup stats)
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...this point, the most unexpected aspect of the entire album occurs: the CD changes from track one to track two without any delineation. "Anthropod" plays continuously, and at an indiscriminate moment, the four-minute quiet interlude becomes "Phantom Limb." There is no silence between songs, nor a change in melody. This is not an anomalous occurrence on the album, as the different tracks are just names given to indistinguishable parts of a single, seemingly interminable song that composes the whole of Experiment Below. Six minutes into the album, Hovercraft demonstrates promising innovations and intricate, sudden and powerful changes in rhythm...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

...only other danceable track is "Benzedrine," but this is the result of a static beat pattern that could easily be imitated by using a drum machine and some subtle mixing. The repetition concludes with "Wire Trace" and "Epoxy," which are conspicuous replicas of the linked tracks "Anthropod" and "Phantom Limbs," but with slightly faster beats. As a result...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

...difficult time understanding him, his hoarse screams went rather well with the thrashing guitars. He has a couple of thrilling two measure solos in "Blowin' Smoke" in which you can actually hear his voice. In the background, drummer Jeremy Thompson, once a member of the band Phantom Creeps, does what he can--which isn't too much...

Author: By Myung! H. Joh, CONTRIBUTING WRITER | Title: They Came from the Grand 'Ole Opry | 10/30/1998 | See Source »

...they follow the voice of a phantom only they can hear, drowning out the receding whispers of conscience or principle, overwhelming the demands of reason and argument. And the American people don't seem to mind...

Author: /time Magazine | Title: Speaking for the American People... | 10/19/1998 | See Source »

...step in the right direction for Lloyd Webber. The story, based on the 1961 British film about three children who discover an escaped convict in their barn and mistake him for Jesus Christ, has a welcome modesty and warmth, a far cry from the chilly Gothic pretensions of Phantom and Sunset Boulevard. The setting has been shifted from northern England to 1950s Louisiana, which allows the mostly British cast--particularly the children--to offer up some of the weirdest Southern accents ever heard on stage. Yet the clash of Bible Belt bigotry and Elvis-era rebellion provides a credible framework...

Author: /time Magazine | Title: Theater: Andrew Lloyd Webber: Whistle A Happy Tune | 7/27/1998 | See Source »

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