Word: phantoms
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...rococo mansion thrusts up and over the partygoers with noiseless ease -- and is also the signature moment of London's most anticipated theatrical event this year. In Sir Andrew Lloyd Webber's musical adaptation, the movie classic Sunset Boulevard has much the same theme as his greatest hit, The Phantom of the Opera. Normal life is lived in company, the two shows say, but great passion demands an almost secluded privacy. If leaving reality for fantasy is demented, it is a noble madness. If hothouse love flashes into possessive violence, that only proves its poetic grandeur...
...opera's larger-than-life emotion. So does the denouement, as she lapses into madness and announces, to a Cecil B. DeMille visible only to her, that she is ready for her close-up. It is apt that her home now resembles the old opera house in Paris where Phantom is set and that her finale echoes the mad scene of Lucia di Lammermoor...
...from that show. Back to Broadway's idea of adventure seems to be the inclusion of two Andrew Lloyd Webber songs from his yet-to-open musical adaptation of the film Sunset Boulevard. There's also a version of Webber's song The Music of the Night from The Phantom of the Opera, $ recast as a duet between Streisand and Michael Crawford. Three Webber songs is four too many...
Kiss is the first new musical success for director Hal Prince since The Phantom of the Opera, which he staged in London in 1986. It is the first new musical success for composer John Kander and lyricist Fred Ebb since The Rink in 1984. For star Chita Rivera, a seven-time Tony nominee still dancing at 60, Kiss is her first Broadway show since Jerry's Girls in 1986. During that run, she broke her leg in a car accident and was told she might never again walk, let alone skitter, strut and tango eight times a week...
...three Tony winners, choreography by Bob Avian (A Chorus Line, Miss Saigon) and a cast headed by Julie Andrews in her first New York stage appearance since Camelot in 1961, the show seems absurdly overabundant for its venue, a nonprofit house seating 299. But then, impresario Cameron Mackintosh (Phantom of the Opera, Les Miserables) has been showing up night after night, pondering a transfer when the sold-out run ends May 23. Mackintosh, the wealthiest producer in theater history, launched his U.S. career with Side by Side, and is keen to take a sentimental journey, provided reviews allow...