Word: philanthropists
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Dates: during 1970-1979
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...problem that may well merit new legislation, involves the full disclosure of campaign contributions. Winter resists changes even in this area, arguing that any law might inhibit an idealistic philanthropist from backing a candidate who favors a seemingly unpopular cause. Perhaps so. On the other hand, if a candidate's financial support comes largely from the drug manufacturers or the oil industry or labor political-action committees, the voter is entitled to know that...
...would think that a philanthropist deserved the right to give his money, then sit back and take some small satisfaction in the pleasure it provides others. Or, if he prefers, just forget about it. Not in New York City. Millionaire George T. Delacorte (Dell Publishing Co.) financed an Alice in Wonderland sculpture for Central Park, then watched vandals assault it. He spent thousands on the mechanical animals that twirl in the park's zoo clock tower-and then much more on crews to repair the almost weekly breakdown of the machinery...
...Better. It is still too early to assess McCloskey's chances of mounting an effective primary campaign. Money is a problem, although such diverse financial angels as New York Philanthropist Stewart Mott, California's Norton Simon and Cleveland Industrialist Cyrus Eaton have expressed interest in his campaign. He has received more than 30,000 letters of support from across the country, but realistically admits that it will take a much greater groundswell to put him across...
There you have an approximation of a newly imported British comedy, The Philanthropist. Playwright Christopher Hampton, 24, is witty, clever, debonair; he uses the English language with sly gusto and rare affection. He has given an impressive display of that affection in his fluently idiomatic adaptations of A Doll's House and Hedda Gahler in this season's off-Broadway revivals. The misfortune in his own play is that the passion, conflict and tone of voice of a playwright saying what he feels he has to say are all but inaudible...
Venus's-Flytrap. Fittingly enough, Philip (Alec McCowen), the hero of The Philanthropist, is a philologist. In Act I, Philip is insouciantly embroiled in a drawing-room-cum-bedroom farce; in Act II, he is mournfully bogged down in a talky self-analysis of considerable pathos. This makes for a jarring discrepancy of mood without any compensating illumination of meaning. Act I is fun and naughty games. In it, Philip ends up in bed with a Venus's-fly-trap of a girl. His fiancée Celia (Jane Asher) pairs up with a cynical aphorist...