Word: philipe
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Dates: during 1990-1999
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STARRING: Tom Cruise, Philip Seymour Hoffman, Julianne Moore, Jason Robards DIRECTOR: Paul Thomas Anderson OPENS: Dec. 17 in N.Y.C. and L.A.; wide...
...exquisite little head of Philip IV's daughter, the Infanta Maria Teresa, is even more summary. Velazquez paints shapes that look so obsolete that they're almost abstract--the massive cornrowing of the brown wig, for instance, and the mysterious, icily translucent lace butterflies that adorn it. He paints paint, or, more exactly, cosmetics: that pale mask flushed with matte pink, a plain little girl--she was a teenager then--propelled onto the international market by Papa's political schemes. Such portraits were made to be sent abroad to the relevant ambassadors, in the hope of arranging a suitable marriage...
...Europe in the 20th century. Perhaps less obviously, Velazquez did the same for Spain in the 17th century. He showed that the nation's painting need not be provincial, that it could be open to Europe and, especially, to such Venetian masters as Titian. Titian had made masterpieces for Philip II of Spain; now Velazquez would work on the same scale for Philip IV, grandson of Titian's patron. With Velazquez at the court, Spain no longer needed to import its talent from abroad...
...400th anniversary of Velazquez's birth with a small but choice loan show--six paintings from New York museums. Some are well known, like the portrait of Juan de Pareja, Velazquez's Moorish slave and studio assistant. Others are less so, such as the fierce authoritarian portrait of Olivares, Philip IV's chief minister for finance and war. The show is an anti-blockbuster and not to be missed by anyone who cares about painting...
...marvelous example of this process at work is the so-called Fraga portrait of Philip IV, named for the town where it was painted, in a temporary studio, when the King was leading his armies against the rebellious Catalans in 1640. Velazquez finished it on the march, as it were; though known at court as a pintor flematico, a phlegmatic painter, he whipped it off in a few days. The head of the King, with its long and beautifully blended brushstrokes, looks very considered; less so his magnificent red outfit, which is pure Impressionism 200 years early--the broken touches...