Word: philipps
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...CARL PHILIPP EMANUEL BACH: SIX SONATAS FOR FLUTE AND HARPSICHORD (Nonesuch). In bringing back the solo flute, the baroque revival has also headlined a brilliant French flutist, Jean-Pierre Rampal, who seems to have enough breath to tackle the entire 18th century output for his instrument. Turning from J. S. Bach and Mozart, Rampal has recently recorded music by Telemann, Pergolesi and others, as well as these melodic and graceful entertainments by Bach fils, accompanist for that royal flutist, Frederick the Great...
...From left: Prince Nikolaus; Princess Nora Elisabeth; Crown Prince Johannes Adam; Princess Gina (seated); Prince Franz Josef II; Prince Philipp Erasmus...
Back to Selb. More than the patterns have changed at Rosenthal. With sales last year of $20.6 million. Rosenthal proudly claims that it is the world's largest china "publisher." Founded in 1879, the company was taken away from Philipp Rosenthal in 1938 when the Nazis "Aryanized" German industry. His son Philip, then a student at Oxford, renounced his German citizenship. When war came, he joined the Foreign Legion, ultimately linked up with British intelligence and became a British subject. After the war, young Rosenthal, now 46, returned to the company's headquarters in the Bavarian village...
...Archbishop of Magdeburg and Mainz, and let it go at that. Iserloh points out that the writings of Luther himself never mentioned nailing the theses on a door; the first record of the story, in fact, was written after the heretic's death in 1546 by his disciple, Philipp Melanchthon, who was nowhere near Wittenberg at the time. Iserloh also cites a letter Luther wrote to Frederick III, Elector of Saxony, in 1518, stating firmly that "no one knew of my intentionto dispute-not even my best friends...
Thames was not even Mozart's idea. Conceived by a wealthy dilettante named Tobias Philipp von Gebler and scored by an obscure schoolmaster, the thing was such a botch that Gebler, taking a friend's advice, paid Mozart to write a new score. The composer did considerably better than the librettist. On Gebler's flimsy plot-the love of a young Pharaoh for a temple virgin-Mozart draped 22 minutes of delightful music that almost compensated for 81 minutes of unrelievedly boring talk. Nevertheless, Thames talked itself to death, closed shortly after its premiere in Vienna...