Word: phils
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Dates: during 1940-1949
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...recent rash of sunshine in Beantown has caused such stalwarts as "Iron Phil" Masquelette and "Terrible Ted" Marchese to shed their lining in favor of the garb of a horsehider and to play a little ball. Some of us, you see, are a little more athletic than others. Good weather brought with it a few aches and pains in the form of early morn exercises, courtesy of the athletic department, and dismayed Messrs. Sinberg and Lifschultz of "left side first" notoriety. Combining a fanatical desire and his bull strength, Kevin "the Bull" O'Donnell makes mad tracks daily...
...York's new Boxing Administrator Eddie Eagan (TIME, Jan. 22) was the world's featherweight champion, Willie Pep. A master boxer with a featherweight punch, he had been dubbed "BackPedaling Bill" by the fans. But in last week's 15-round championship battle with Bronx Phil Terranova, Hartford's nimble 124-lb. Willie put on the fighting-est show of his career...
...Phil "How're yaw'll" Masquelette, roommate of "the Light," currently has the eagers for a Pine Manor miss, says Dame Rumor. Red Summers, authority on anything but women, claims to have been hitched early in his career, but Kewpie O'Donnell is telling a great untruth. Tunstall "Pal" Perry, uncoverer of much information, seeks any help that can be offered him by anyone. If you have any old information that you are about to dispose of, see "Pal"--he wants...
...effect, Murray was putting the kibosh on the eight years of pleas and proposals to merge the A.F. of L. and C.I.O. Murray now proposed: let's fight side by side for prolabor legislation, and forget about reunions. Phil Murray was obviously not worried about C.I.O.'s future-not only because of its 5,000,000 membership but on account of its proved political power at the polls. And Murray also believed that C.I.O. ambitions for vast, industry-wide bargaining units could never be reconciled with the old-line A.F. of L. craft-union idea...
...sham battle and a promotion; Mr. O'Shea and Vivian Elaine handle the love interest, and one of the Cole Porter songs, plus six fair-enough new non-Porter items. There are some pleasant essays in low-keyed Technicolor and sculptural cross-lighting in the dance numbers. Phil Silvers combines a daftly likable energy with some blurrily focused comedy...