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...apparent strain. Still other systems concentrate on the 80% of English words that are phonetically regular. To teach letter sounds, they use goof-proof sentences like "I ran. The man ran. Dan ran." Despite the resemblance to deadly Dick and Jane, the authors claim that such repetitions build remarkable phonic clarity in young minds...

Author: /time Magazine | Title: Education: New Readings on Reading | 3/29/1971 | See Source »

Monterey Pop is a color-and-stereo-phonic-sound souvenir of the 1967 festival of rock music in California. Under the supervision of D. A. Pennebaker, who made Don't Look Back, the one widely seen verite documentary, more than half a dozen cameramen prowled the crowd catching the mood-but not the meaning-of the event. Several performers (Janis Joplin, Otis Redding, Ravi Shankar) come through with a jolting, immediate intensity, but watching Monterey Pop is like listening to an LP with pictures. Twenty years from now, the film may have value as a historical curiosity. Surely...

Author: /time Magazine | Title: Cinema: The Drawbacks of Reality | 3/7/1969 | See Source »

Educators have spent decades debating the relative value of meaning methods and decoding methods, which include phonic and linguistic techniques. The decision to use content emphasis was made early in the century on the basis of very primitive studies...

Author: By David Blumenthal, | Title: Chall Book Hits Reading Methods Of U.S. Schools | 11/9/1967 | See Source »

...story of course oozes whimsy. The broader humor of Larry Gage's Lowell House production comes across fresh and funny. Toad (John Sansone), who regrettably is far too thin for a toad, bounces around the stage, bubbling, buzzing and boop-booping his phonic fantasies of motoring. Water-rat (David Baughan) and Mole (Carla Barringer) playfully "mess around the river" while a chorus of small, furry animals endears itself...

Author: By George H. Rosen, | Title: Toad of Toad Hall | 2/23/1967 | See Source »

...great fascination and historical importance. Busoni is an important moment of transition in mu sic. He falls between two styles, the romantic and the modern. In his struggle to reconcile the two, he helped to break up the romantic tradition and in his late compositions -the six Poly phonic Studies and the superb but rarely performed opera Doktor Faust -he struck out in the same general direction as Schoenberg and Stravinsky...

Author: /time Magazine | Title: Composers: A Bridge to the Future | 2/18/1966 | See Source »

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