Word: phonographers
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...valuable bedlam of commercial broadcasting originated in 1920 when a Pittsburgh department store plucked a Westinghouse experimenter from his garage, where he was sending out an occasional phonograph tune, set him up as historic Station KDKA. Radio makers began to multiply like summer flies. Most of them were soon swatted by the proverbial vicissitudes of their industry. Relatively few of the early breed even survived for the cream-jugs of the late 1920's. Still fewer continued to buzz right through Depression...
...Dixieland disbanded. It was no longer a novelty. "Sweet" jazz, heavily orchestrated, was in vogue. And La Rocca, particularly, wanted to retire, go back to New Orleans. Hot jazz cultists who have learned to treasure the Dixieland's out of print phonograph records as classics and museum pieces never believed they might actually hear them together again. With the exception of Ragas who died when the troupe was in its heyday, the personnel of the historic little combination will be the same, although a few extra players may be added. Russell Robinson, Ragas' successor, who composed Margie...
With an old-fashioned phonograph strapped on his back, a sawed-off megaphone and a bundle of blank aluminum records, a lean, scraggly-haired New Yorker has been touring the South for the past nine years, collecting Negro songs that few white men have ever heard. Like his older brother Artist Hugo Gellert, Collector Lawrence Gellert is an ardent Left Winger. He scorns the idea that most Negroes when left to themselves will either sing spirituals or dance to the blues. The songs that fascinated Lawrence Gellert were those symbolic of Negro class consciousness, unrest and despair. From more than...
...past seven years Conductor Arturo Toscanini, who dislikes mechanical music, has been steadfast in his refusal to make phonograph records. To him, his own performances always seemed short of perfection, hence unworthy of being perpetuated. During his last few months with the New York Philharmonic-Symphony (TIME, May 11 et ante), RCA Victor doubled its efforts to persuade him to change his mind, pleaded that he owed it to the public and posterity. The Maestro's "no" was unyielding until a friend suggested that he would be doing a real service to the composer he might interpret, that...
...directors last season was their failure to see their way clear to financing a tour while there was a considerable deficit at home (TIME, Oct. 29, 1934 et seq.). The angel that suddenly popped up was RCA Victor, for which Stokowski and his orchestra make many a red-seal phonograph record. RCA Victor underwrote the current tour for $250,000, hoping to get back much of it on the sale of records and phonographs. Last week the tour's sponsor was loudly in evidence. Phonographs were planted in the lobbies and foyers of every auditorium, played Philadelphia Orchestra records...