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...COVER: Photograph for TIME by Raul Martinez. Liya Kebede wears a Dior by John Galliano silk chiffon and satin jacket. Styled by Ricky Vider Rivers. Hair by Ward for Bumble and Bumble. Makeup by Fulvia Farolfi. Hand models: Angie Caraballo and Ruth Rose for Parts Models. Manicure by Deborah Lippmann...

Author: /time Magazine | Title: Contents: Aug. 28, 2003 | 8/28/2003 | See Source »

While cross-examining Harrigan, defense attorney R. Matthew Rickman displayed an enlarged photograph taken outside the station house in an effort to cast doubt on whether the witness could have clearly seen Trombly or Byrne from his stated angle and position...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: BPD Officers Describe Alleged Beating | 8/15/2003 | See Source »

Rickman then questioned whether an air conditioner, partially blocking the view of the guard room in the photograph, would have been removed for the winter by September that year. Harrigan replied that he was not sure...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: BPD Officers Describe Alleged Beating | 8/15/2003 | See Source »

...Williams, a big-eyed, 2-year-old Monrovian girl in short braids and a blue and white polka-dot dress. "We have her bed ready in her bedroom. We have her enrolled in her preschool. Her big sister is waiting for her little sister." The Carlsons have used a photograph of Patience - who's suffering from anemia and severe diarrhea, and no longer has the energy she once had - to introduce her to friends and family in Minnesota. It was the Carlsons who put together the picture book for their new child, a kind of window that all the orphans...

Author: /time Magazine | Title: Still a Long Way from Home | 8/3/2003 | See Source »

...float, surrounded by rusty fronds of barbed wire, concrete blocks and curls of corrugated iron. The many limbless trees have more presence than the two small humans who scuttle across the canvas. Its wide angle and transformation of horror into almost-beauty conveys emotional impact in a way no photograph can. In 1921 Nash was diagnosed with "war strain" and retreated to the Kent coast, near bleak Romney Marsh. He took refuge in geometry, applying a ruler to nature, and seeking out the regularity of fences, planks, horizons. The Shore (1923) shows the seawall at Dymchurch, which holds the water...

Author: /time Magazine | Title: The Artist At War | 7/27/2003 | See Source »

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