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...worth. For now, she is trapped in a glossy, twittering movie that poses as a psychological horror story. Leonora, an over-the-hill prostitute (Elizabeth Taylor), is accosted by Cencion a London bus. The girl invites her home-where Leonora discovers an eerily familiar face in a photograph. Cenci's dead mum was a ringer for the prostitute. And, vice versa, Cenci reminds the prostitute of her daughter, dead lo these seven years. The two settle down symbiotically in Cenci's gloomy, Edwardian mansion. Along comes Cenci's randy stepfather...

Author: /time Magazine | Title: Cinema: Warped Triangle | 11/1/1968 | See Source »

...very impressive private art collection of David Daniels and selected by Mary Lee Bennett and Agnes Mongan, Curator of Drawings at the Fogg. The exhibit has already made a circuit of three midwestern cities, and Cambridge is its final stop. The catalogue is very complete, including a full page photograph of every work in the exhibit and a provenance and bibliographical sketch on most items...

Author: By Betsy Nadas, | Title: Daniels Collection | 10/18/1968 | See Source »

That is exactly why many artists find the concept so irresistible. Dennis Oppenheim displays a photograph of a giant nebula made out of aluminum chips that he sprinkled on a field out side New Haven, Conn. Michael Heizer shows a photograph of five holes he dug in the Black Rock desert in Nevada. Robert Smithson exhibits his Non-Site, five trapezoidal woodbins filled with chunks of ore, plus an aerial photograph of the mines in Franklin, N.J., whence they came. This is meant to allow the viewer to contemplate the fact that "140 minerals" are found in the earth...

Author: /time Magazine | Title: Exhibitions: The Earth Movers | 10/11/1968 | See Source »

...title Light is supposed to symbolize seven different roles that light can play in a photograph. Each of these roles is described in notes that appear in the catalogue of the show. But don't bother reading the notes; they merely undercut the photographs. Go and see the photographs. They speak articulately for themselves...

Author: By Charles M. Hagen, | Title: Light | 10/9/1968 | See Source »

...Lampoon, in fact, spoils its best effort in the issue with more of this overkill. The last page of Life, as you may or may not know, is entitled "Miscellany" and consists of a captioned photograph, usually of some cuddly animal in some clever pose. The Lampoon parodied it nicely--offering an anguished little girl, left hand over her eyes, right hand holding a gun pointing down at a dead white cat which lies in the street in its own blood. The whole is entitled "No Hard Felines." But, almost as if the Poonies felt this was too subtle...

Author: By Joel R. Kramer, | Title: The Lampoon's 'Life' | 10/9/1968 | See Source »

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