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Kennedy also gave a brief guided tour of his office, which features the proverbial football, an extensive exhibit of art work by his young children, a bust of Lincoln behind his desk, and on the desk a photograph of a son of Robert Kennedy starting at the White House. The photo, taken by Jackie Kennedy, was inscribed, "structure President surveys his property...

Author: By Peter R. Kann, | Title: Young Dems Interview RFK, EMK | 4/8/1963 | See Source »

...dropped out of sight to protect her prominent friends. On top of that came news that Ward's Cliveden house, the scene of many a fashionable party and fortuitous introduction, had been ransacked; Ward's letters were stolen, and scattered all over the floor were a nude photograph of Christine and a slew of pornographic pictures, which Ward claimed were not his. In Whitehall and in the House of Commons smoking rooms, rumors began circulating that one of Christine's many acquaintances was a government minister...

Author: /time Magazine | Title: Great Britain: Case of the Sensitive Osteopath | 3/29/1963 | See Source »

...demote D.Z. Darryl Zanuck is the president of 20th Century-Fox, not a producer. Your photograph [March i] shows him approving the shooting of the scenes that Producer Walter Wanger and Director Joseph L. Mankiewicz were restrained from doing properly by a former management and that are now being sponsored by the new president...

Author: /time Magazine | Title: Letters: Mar. 8, 1963 | 3/8/1963 | See Source »

Preferring color photography, Talisman concentrates on producing tones that integrate a picture as much by color as by subject and composition. Typical, for example, is his photograph of Madrid in which a white sky forms the background to a college of buildings in various shades of brown, with beige highlights where the sun hits directly...

Author: By Michael S. Gruen, | Title: Mark E. Talisman | 2/26/1963 | See Source »

...suggestive of a dancer, with a man standing nearby looking down at her. Along the diagonal of their heads and quite out of the light, hangs a painting of a wild bacchanalian rape scene. It is only when one's eyes reach this painting that the formality of the photograph begins to dissolve into sham and one notices that the seated woman's companion may not have quite so placid and unexcited an expression on his face as one first thought...

Author: By Michael S. Gruem, | Title: Marie Cosindas at Adams House | 2/25/1963 | See Source »

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