Word: photographers
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Dates: during 1970-1979
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...WHETHER PHOTOGRAPHING with a small, hidden camera on the New York subways or approaching women on Havana's streetcorners, Evans always gave his subjects the freedom and space to interact within their own environment. Levitt's lonely man watching TV on a streetcorner, Friedlander's self-portrait in a sleazy hotel room and Evans' dreaming sailor on the subway--these photographs succeed because of the seeker's sensitivity in approaching his subject. Just as Evans' sequence of closeups of miners' faces bespeaks the unjustified nature of their existence, Robert Frank's photograph of wealthy office seekers with their tall, black...
...word with one of the doctors responsible for the Brown experiment: Patrick Steptoe, who came and went daily in his white Mercedes, dodging in and out of the hospital's side doors to avoid the press. Or a chat with the equally elusive father. Or, scoop of scoops, a photograph of Lesley Brown peeking from behind her carefully curtained window...
...years, pacifying the gods, protecting souls, relaying lovers' messages, celebrating the seasons. Frorn the Chinese Han dynasty through the space age, kites made of leaves, paper, silk and now plastic have also been used to catch fish, spy on enemies, send signals, divine the weather, explore the atmosphere, photograph the earth, tow boats, advertise corsets, drop bombs and loft men and women into the wind. In the past decade the kite, the honorable ancestor of all aircraft, has colored American skies in vast numbers, dazzling hues, and sufficient shapes, sizes and forms to fill catalogs of bliss...
...hosts on an impromptu foot race at the Great Wall. He won, then stood next to a group of bemused Chinese sailors to have his picture taken. "Do you know you are posing with an imperialist?" he joked. Not so, said the well-coached sailors. "We are having a photograph taken with the polar-bear tamer...
...already driven her to beard a haughty Alfred Stieglitz in his own studio-with his own camera. Other victims of Maude's lens included D.H. Lawrence, Eugene O'Neill, Ezra Pound, Raymond Chandler and Robert Frost, "the biggest son of a bitch I was ever to photograph." E.E. Cummings, T.S. Eliot and Thomas Mann get flattering portraits; and a dinner with Graham Greene is recalled in vivid detail and charming conversation...