Word: photographers
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Dates: during 1990-1999
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...cover portrait of choreographer Bill T. Jones, as well as all the photographs of black artists accompanying the story, were shot by staff photographer Ted Thai. For good measure, Thai also took the striking portraits of Yale scholar Harold Bloom and hot young filmmaker Quentin Tarantino in this week's issue. As deputy picture editor MaryAnne Golon points out, "Ted has a gift for thinking of imaginative ways to incorporate an artist's discipline into a photograph." To incorporate the marvelous achievements of today's African-American artists into the frame of a cover story, all of our Black Renaissance...
Walsh, who is presently awaiting sentencing for his conviction last spring on 41 counts of bank fraud and conspiracy, removed two dildos and a photograph of a penis from the exhibit on Wednesday and took them home...
...image presaged no celebration: a child barely alive, a vulture so eager for carrion. Yet the photograph that epitomized Sudan's famine would win Kevin Carter fame -- and hopes for anchoring a career spent hounding the news, free- lancing in war zones, waiting anxiously for assignments amid dire finances, staying in the line of fire for that one great picture. On May 23, 14 months after capturing that memorable scene, Carter walked up to the dais in the classical rotunda of Columbia University's Low Memorial Library and received the Pulitzer Prize for feature photography. The South African soaked...
...working on the dawn patrol had paid off for one of the Bang-Bang Club. Marinovich won a Pulitzer for his September 1990 photographs of a Zulu being stabbed to death by A.N.C. supporters. That prize raised the stakes for the rest of the club -- especially Carter. And for Carter other comparisons cropped up. Though Oosterbroek was his best friend, they were, according to Nachtwey, "like the polarities of personality types. Ken was the successful photographer with the loving wife. His life was in order." Carter had bounced from romance to romance, fathering a daughter out of wedlock...
After another day in Sudan, Carter returned to Johannesburg. Coincidentally, the New York Times, which was looking for pictures of Sudan, bought his photograph and ran it on March 26, 1993. The picture immediately became an icon of Africa's anguish. Hundreds of people wrote and called the Times asking what had happened to the child (the paper reported that it was not known whether she reached the feeding center); and papers around the world reproduced the photo. Friends and colleagues complimented Carter on his feat. His self-confidence climbed...