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...cites as an example of this double standard the public outcry over the advertisements for his movie, one of which shows him with a gun in his waistband and a baby in his arm. “In my eyes,” 50 says, “the photograph that I’m showing you is I’m a protector in the situation…I’m going to do whatever it takes to get to what I’m trying to do.” Guns frequently appear in action movie...

Author: By Andrew C. Esensten, CRIMSON STAFF WRITER | Title: 21 Questions for 50 Cent | 11/17/2005 | See Source »

...bytes and an excess of e-vites certainly do demand an evolution of etiquette, but they have also managed to make older methods all the more prized. A hand-written note on cream-colored Crane’s, an unexpected knock on the door, flowers, a date, a photograph on film—the scarcer they become, the more sacred they’re beheld. So while the world of dating may seem to be a growing web of disorder, we can take comfort in knowing that the most classic means of courting never crash...

Author: By Victoria Ilyinsky | Title: 21st Century Dating? Byte Me | 11/17/2005 | See Source »

...simply a hunger for bragging rights that drives us to the Fogg? The answer is both. According to Appling, “Many people line up to get the really big names.” Alexandra T. Pape ’08, on the other hand, rented a large photograph of a decomposing car to put over her fireplace freshman year because she felt it matched her room...

Author: By Emily J. Nelson, CONTRIBUTING WRITER | Title: No. 10: The Fogg’s Student Rental Program: $25 Puts Warhol On Your Wall | 11/16/2005 | See Source »

...connect the de Young visually to its setting in Golden Gate Park, the architects have wrapped the structure in a copper skin embossed and perforated to produce, from a distance, the appearance of dappled sunlight filtering through trees. That pattern was copied from the blurred pixels of a digital photograph, then converted by computer into a blueprint to guide the manufacture of holes and indentations on thousands of individual copper plates...

Author: /time Magazine | Title: Architecture: The Box of Shadows | 11/6/2005 | See Source »

...ranging from the classical nude to the bonded victim—on ripped, square pieces of white textiles. She also combined these prints with a multi-colored, abstract drip technique and chose to present the pieces by leaving them scattered on the floor of the studio, accompanied by a photograph of a similarly random arrangement on the asphalt of a parking...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: VES 123r. Post Brush: Studio Course | 10/27/2005 | See Source »

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