Word: photographic
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Dates: during 1930-1939
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Maximum view of the clock in TIME'S Supreme Court photograph indicates the picture was taken at 2:52, as stated...
...Elliott's) in which the President's children participated during his first term, became aware in April 1934 that Franklin and Ethel du Pont were companions. The discovery was inescapable because the pair was attending a wrestling match in Philadelphia and Franklin, objecting to being photographed at the ringside, made a flying tackle at the Ledger's photographer and smashed his camera. "This man was taking a photograph of me," explained Franklin, "and I don't like to have my photograph taken." A member of his family has since revealed that a good part of Franklin...
...lasted 3 min. 24 sec., the sun was only 8° above the horizon during totality and its darkened image was distorted by late afternoon haze. Nevertheless eclipses offer such fine opportunities to scientists to study the composition and behavior of the sun's outer envelope and to photograph the magnificent flare of the corona, that expeditions were waiting for the shadow at both these meagre vantage points. Two astronomers-James Stokley of Philadelphia's Franklin Institute and John Quincy Stewart of Princeton-decided to go to the point of maximum duration in a 6,000-ton freighter...
...this famed Court appeared only a short time before its final session will be well preserved for history by the accompanying photograph. It is the second photograph ever taken of the Supreme Court in actual session, and the only one showing the Justices in their new chamber. The other, taken five years ago by Dr. Erich Salomon, made its first appearance in TIME Inc. publications as does this, taken last month by an enterprising amateur, a young woman who concealed her small camera in her handbag, cutting a hole through which the lens peeped, re sembling an ornament. She practiced...
Cinema-Arts' editor is Paul Husserl, onetime script editor for the cine-MARCH OF TIME. Following the current vogue, Editor Husserl packed his first issue with many more pictures than paragraphs, hired four artists, most notably Jaro Fabry, to illuminate what interstices were left between photographs and text. Best shots: a full page of Henry Armetta titled "Portrait of Expostulation " and "Double Feature," a photograph of a Manhattan theatre marquee advertising Romeo & Juliet and Mama Steps...