Word: photographic
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...streets and distributed flyers door-to-door, demanding the right to vote. “Casting the First Ballot,” the fall exhibit at the Harvard College Women’s Center, draws together this struggle for suffrage with contemporary voter issues. Through reproductions of historical photographs and art by current Harvard students, “Casting the First Ballot” explores what it means to be a voter. “We wanted to make historical conversation between past and present,” says Andres Castro Samayoa ’10, the student curator...
...photograph that circulated in an e-mail last spring, Fidel Castro holds up a poster emblazoned with President-elect Barack Obama’s face, the words “I love this guy!” superimposed above Castro’s head. Despite the e-mail’s subject line—”Fidel Castro endorses Obama”—the former Cuban president had done no such thing. The image was a doctored advertisement aimed at Cuban-American voters circulated by the Florida Republican Party. In a presentation at the Berkman Center...
...photograph that circulated in an e-mail last spring, Fidel Castro holds up a poster emblazoned with President-elect Barack Obama’s face, the words “I love this guy!” superimposed above Castro’s head. Despite the e-mail’s subject line—”Fidel Castro endorses Obama”—the former Cuban president had done no such thing. The image was a doctored advertisement aimed at Cuban-American voters circulated by the Florida Republican Party. In a presentation at the Berkman Center...
What made it all the more challenging was that Eggleston worked in color. In 1976 serious photographers were expected to work in black and white, and most museums assumed that camera art could be made only within the palette you might find in a cinder block. And then there were Eggleston's pictures of places where no one had ever bothered to point a camera before, like the green tiled interior of an empty shower stall or the strangely mesmerizing blackness of an open kitchen oven. In 1961 photographer Robert Frank said, "You can photograph anything now." But it took...
...digressions from Karsh’s most famous pieces help elucidate the character of the artist, they cannot compare to the power, intensity, and soulfulness of his signature portraits, which form the bulk of the exhibit.All four walls of the vast room that houses the collection are lined by photograph upon photograph of Karsh portraits. What is amazing about all of these images is not only the fact that their subjects almost form a Who’s Who of the 20th century, but that each and every one manages to capture some je ne sais quoi of their subject...