Word: photographics
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...since it was first published by John Wisden, an accomplished English cricketer, in 1864. But over the past few years?especially under the stewardship of New Zealand writer Graeme Wright and its current editor, British newspaper journalist Matthew Engel?the Almanack has been updated for the 21st century. A photograph now graces the front cover, replacing the old wood engraving of two Victorian gents in top hats playing cricket, which had appeared on the cover since 1938. Inside, there are well-written features alongside the usual lists of records and scorecards of all major cricket games from the previous year...
...death of Pope John Paul II, Father Benedictus removed his 125 cc Honda motorcycle from the courtyard that doubles as his church. In full view of the neighbors?and, he assumes, plainclothes police?some 400 worshippers paraded down a quiet lane to the courtyard bearing candles and a memorial photograph of the deceased pontiff. During mass, they wept, prayed and lined up for communion. Authorities made no attempt to stop them. "As long as we don't protest or set off firecrackers, we're basically left alone," says Father Benedictus...
...since it was first published by John Wisden, an accomplished English cricketer, in 1864. But over the past few years - especially under the stewardship of New Zealand writer Graeme Wright and its current editor, British newspaper journalist Matthew Engel - the Almanack has been updated for the 21st century. A photograph now graces the front cover, replacing the old wood engraving of two Victorian gents in top hats playing cricket, which had appeared on the cover since 1938. Inside there are well-written features alongside the usual lists of records and scorecards of all major cricket games from the previous year...
...trials of growing up with the poignancy of grief because his novel is not a memorial to Sept. 11 in the same way that much of the artwork and writing on it up to now has been. Extremely Loud is not a supplement to the famous photograph of a firefighter who holds a flag amidst the rubble. It is a digested, reflective, and tender reworking of what happened into an active, contemporary context...
While they’re still in the Yard, the eccentric sight attracts attention—elderly people complain about the noise, students ask to join in, and, occasionally, tourists abandon John Harvard to photograph them...