Word: photographsã
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Within each pair, the photographs contradict and complement one another. Horn, as a late adolescent blanketed with curly brown hair, is juxtaposed with Horn in her middle ages rendered androgynous with her grey crew cut. The composition of each of the photographs??Horn’s head tilted to opposite sides—produces a reflective quality; one image could be flipped across the vertical axis to cover the other. This mirror-like possibility literalizes the actual mirroring of subject matter. The similarity and differences within the pair are simultaneously stressed...
...good questions?”STUDENTS TAKING ACTIONBrightly-clad figures hang in photos on the wall near the Tsai Auditorium in the Center for Government and International Studies. Sudanese refugees invite passers-by to enter their camps through photos, taken by Mia Farrow and Brian Steidle among others. The photographs??which will be moved later today—were first exhibited at the Democratic National Convention, but with the help of the Massachusetts Coalition to Save Darfur, the Harvard Darfur Action Group has brought this small sampling to campus in an effort to inspire interest in their cause...
This legacy is precisely why we find President Obama’s recent decision to block the release of more detainee abuse photographs??which span a total of five years’ worth of images and depict a series of extreme interrogation techniques classified as torture, including waterboarding—to be extremely disappointing. Last month, White House Press Secretary Robert Gibbs announced that the Obama administration planned to release the photographs, citing a Freedom of Information Act request filed by the American Civil Liberties Union. But, on May 13, the administration changed its mind. The White House?...
...image-maker.” In “Kingdom of Shadows,” Tan’s 2001 short film presented last Sunday night at the Carpenter Center, she explores how the proliferation of images in the modern world—namely through photographs??changes our perception of them. Interviews with collectors and artists guide an exploration of our relationship with photographs??a relationship that, to Tan, “can never be settled”. The screening followed up on a lecture—in which Tan presented her more recent work?...
...Yard, he said, was landscaped “based on an extension of what we were able to see in historic photographs??.My sense is that there have never been flowers in the Yard historically.” Since van Valkenburgh had done a lot of work in Princeton and some in Yale, I asked him about the other Ivies. “There are of course other schools in the Ivies that have a tradition of more flowers…. I’m not a campus historian, but there seems to be a very different idea...