Word: photographs
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Dates: during 1960-1969
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Wiseman did have permission from the state corrections commissioner and other authorities to make the film, and in the end the controversy may be settled on the narrow grounds of just what was agreed to. The state contends that Wiseman had promised not to photograph incompetent inmates and to give the state final review. Unfortunately the agreement was largely oral, and is wide open to dispute. But it may be easier to settle that than to reconcile the thornier question of how much privacy an insane convict is entitled to in the face of the public's right...
...that he would not, and did not, photograph certain specified inmates, among them Albert De Salvo, the confessed Boston Strangler...
...Surveyors 3, 5 and 6 enabled scientists to complete their planned surveys of possible astronaut landing sites and left Surveyor 7-scheduled to be launched early in 1968-for use in a completely scientific mission. Scientists are currently considering landing it in a highland basin, where it could photograph and analyze high-altitude features not yet investigated by U.S. or Russian landers...
Religious symbolism is an undercurrent throughout the film. Crosses abound: the final overhead shot of a cross-roads, a photograph ripped in the shape of a cross, Luke sprawling crucified in a pit-grave...
...bequeathed to "my dearly beloved friend," a 35-year-old patrolman named Michael De Bella. The policeman has never explained how he met Miss Atwood, but a grandmotherly affection obviously developed in the heart of the reclusive old lady, so painfully shy that the only known photograph of her was taken when she was a child. Sometimes De Bella invited her to dine with his family; he often spent his lunch hour visiting her lonely hotel apartment...