Search Details

Word: photographs (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...young poet-teacher named Stephen Dedalus (Maurice Roeves), a middle-aged Jewish ad salesman named Leopold Bloom (Milo O'Shea) and Bloom's erogenous wife Molly (Barbara Jefford). Joyce overlaid his simple story with symbolic parallels, some mythological and some psychological, that are more difficult to photograph. Stephen, for example, is Telemachus, Bloom is Ulysses, Molly is Penelope, and the events of the day correspond, in ways both witty and profound, with the episodes of Homer's Odyssey...

Author: /time Magazine | Title: Cinema: Not the Best, Not the Worst | 3/31/1967 | See Source »

...interested in your review of MacBird [March 3]. I was especially interested in the photograph of the "L.BJ. cartoon" being used as a backdrop for the play...

Author: /time Magazine | Title: Letters: Mar. 10, 1967 | 3/10/1967 | See Source »

Some of my friends, having seen the photograph in TIME, have expressed surprise that I would lend my work to such a play. I would like to make it clear that I had nothing to do with this production of MacBird...

Author: /time Magazine | Title: Letters: Mar. 10, 1967 | 3/10/1967 | See Source »

...by?no, not the CIA but, of all agencies, the Post Office. Seems that postal inspectors were in the habit of placing an ad in a newspaper to the effect that one "swinger" would like to meet another. When letters were exchanged, the unsuspecting hedonist might include a nude photograph or two?whereupon the police arrived and arrested him.* Bowing to a Playboy-organized protest movement, as well as complaints from Congress, the Post Office promised to quit the practice...

Author: /time Magazine | Title: Magazines: Think Clean | 3/3/1967 | See Source »

...Miss Anschuetz's and her director's credit that the power of her static presence is so firmly established that in scenes where she appears only as a blown-up photograph on the wall, we are very much aware of her proximity to the sequence. In fact, we feel that she is there. In the one scene where she actually enters a room already dominated by her photograph, we are pretty sure that she's there twice. The sequence indicates that she and Lerner make love after the dissolve, and the physical duality of her image is an obvious...

Author: By Timothy S. Mayer, | Title: Sinister Madonna | 3/3/1967 | See Source »

Previous | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | Next