Word: photographs
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Dates: during 1960-1969
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...Harvard's biological laboratories last September, Porter's current research uses a new $40,000 electron microscope. The shadow picture produced by introducing the cell specimen into a beam of electrons has a resolution of one fifty-millionth of an inch. Porter in 1945 made the first electron microscope photograph of a cell...
Most Paris dress designers belong to the Chambre Syndicale de la Couture, which is French for "No photographs of zee newest fashions may be publeeshed unteel one month aftair les showeeings à Paree." This restriction on photos gives the secretive designers and the buyers of originals a jump on design pirates, who can take a look at a photograph and run up a copy before the respectable houses can get their seams straight. Last week the deadline expired, and U.S. women could stop studying sketches and at last have a look at what the fashion columnists had been describing...
...exploited the full potential of this new medium. That is, they have wanted to develop a new art form which could stand by itself, without heavy borrowing from related areas. Too often they have gone little beyond the scope of the legitimate theater; they have done little more than photograph a play heightened in its vividness by close-ups, mob scenes, fast-paced cutting and all the other techniques worked out over the last fifty years. And Almost no one has created a film so uniquely a film as Alain Resnais (director) and Alain Robbe-Grillet (screenwriter...
Russian movies in the heyday of Eisenstein, Podovkin, and Dubshenko were aesthetic masterpieces. Each single shot would have made a still photograph magnificent in its own right. But the beauty of these films is so striking that it is occasionally distracting. At some point between then and now, the Russians learned to use the aesthetic genius of the early movies in a more natural way, without degenerating into the general conventionality of Soviet painting, or the sterility of most of socialist realism. A Summer to Remember includes its quota of trite sequences, but for the most part it uses inspired...
...front pages have been attractive, the make-up has not been consistently good. Occasional inside pages present the unrelieved gray of long banks of type, without pictures, charts, or anything else to encourage the reader. When the National Observer uses pictures, it uses them well; the page-long photograph of the Saturn rocket on the front of the first issue is striking, as is a huge shot of the Matterhorn in the second. But there still remain long stretches of unbroken type, which simply will not be read...