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Word: photographs (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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LIFE is gone. Those haleyon days have passed into history when a photograph of some great moment or new and distant place could hold a nation transfixed and absorb all the energies of talented photographers...

Author: By Bob Ely, | Title: Liberation of Charlie Harbutt | 2/12/1975 | See Source »

...visually, if not politically) realized its own propnecy. The mass medias's quest for speed and the exotic pushed the frontiers of exotica so far back and so far back and so saturated the public with images that few people really cared any more about another black and whit photograph...

Author: By Bob Ely, | Title: Liberation of Charlie Harbutt | 2/12/1975 | See Source »

Harbutt wants to use his photographs to compose an epic tale, not merely to document. Classic photographic studies have relished the surfaces and appearances of things; they have tried to weave a dialectic between the "reality" of the subject of the photograph and the suspensionn in time and space--in short the "image"--with which the camera has rendered the subject. But Harbutt's pictures are not fundamentally concerned with their subjects. In his Introduction, Harbutt says that the pictures in the book are only the "images to which I had the response: 'Yes, life's like that,' "They...

Author: By Bob Ely, | Title: Liberation of Charlie Harbutt | 2/12/1975 | See Source »

...pictures in Travelog bear all the marks of his lofty aspirations, Each seems to be trying to shout. "I am profound!" They all have quick impact, as does any journalistic photograph, but many depart in their cropping or subject matter from traditional journalistic photography. His images of "The World" are particularly radical. In order to achieve forceful pictures of inanimate subjects. Harbutt has had to use his camera violently. He has adopted strange vantage points; he has had to look for hyper graphic qualities in his subject matter; he has isolated objects in a very unnatural way. The result...

Author: By Bob Ely, | Title: Liberation of Charlie Harbutt | 2/12/1975 | See Source »

That spectacular exit dictated forever the critical terms on which Mishima and his works would be discussed. Perhaps he intended it that way. No writer who devoted as much creative energy to his life as to his novels could have found a valedictory image more arresting than a photograph, distributed round the world, of his own severed head...

Author: /time Magazine | Title: Books: A Crush on Death | 2/10/1975 | See Source »

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