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Word: photographs (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Surely your photograph of Shalit was intended to evoke titters, as it shows her reclining on a sofa, the defender of feminine modesty happily fondling her pussycat Milton (for Friedman), thereby doubly prim about love and money. I espy antifeminist symbolism. PHILIP M. RIDEOUT New York City...

Author: /time Magazine | Title: Letters: Mar. 22, 1999 | 3/22/1999 | See Source »

...This article consists of quotes and photograph--see below...

Author: /time Magazine | Title: Then & Now: Mar. 22, 1999 | 3/22/1999 | See Source »

...Wols's photograph of his close friend Nicole Bouban (pictured) is the most visually compelling portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate...

Author: By Marcelline Block, AND CONTRIBUTING WRITERS | Title: Visual Arts and Music | 3/19/1999 | See Source »

...Wols's photograph of his close friend Nicole Bouban (pictured) is the most visually compelling portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate...

Author: By Nadia ANYMONE Michelle berenstein, CONTRIBUTING WRITER | Title: WOLS Wolfgang Otto Schulze | 3/19/1999 | See Source »

...Wols's photograph of his close friend Nicole Bouban (pictured) is the most visually compelling portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate...

Author: By Nadia ANYMONE Michelle berenstein, | Title: Wols (Wolfgang Otto Schulze) | 3/19/1999 | See Source »

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