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Located in a leafy Rome neighborhood, the Iranian embassy to the Holy See features an entryway lined with a large photograph of Ayatollah Ruhollah Khomeini, and framed, centuries-old correspondence between popes and Persian monarchs, including a Nov. 16, 1561, letter in Latin from Pope Pius V to Shah Tahmasp I. The current No. 2 official at the embassy, Vice-Ambassador Ahmad Fahima, said that despite some concern last year about the Pope's provocative speech about Islam in Regensburg, Germany, "relations between Iran and the Holy See are very good." Last April's release of 15 British sailors held...

Author: /time Magazine | Title: Iran's Secret Weapon: The Pope | 11/26/2007 | See Source »

...picture is worth a thousand words, and so it was in the photograph of Cruise, Streep and Redford. Cruise's cocky smile and arms thrown chummily around their shoulders said it all. Cruise looks like he's thinking, Hey, if TIME thinks I belong in their presence, maybe the public at large will also buy it. Dream on! Maarten Reuchlin, Rio De Janeiro

Author: /time Magazine | Title: Inbox | 11/22/2007 | See Source »

Heizer's rock is called Levitated Slot Mass, says Govan, unearthing a photograph of it from his very contemporary office. Across the room, artist John Baldessari's photograph of the New York City skyline doubles as a window shade through which to watch cars whizzing along Wilshire. A wall-size photograph displays what looks like the city's iconic Hollywood sign but is a replica created in Palermo, Italy, by conceptual artist Maurizio Cattelan...

Author: /time Magazine | Title: Thinking Out Of the Box | 11/19/2007 | See Source »

About halfway through “Blade Runner,” Harrison Ford sits down on a couch with a glass of liquor and inserts a photograph into a machine that looks like the bastard child of a dishwasher and a used VCR. It’s called an “Esper.” Its purpose? To vividly zoom in on any given portion of a photo, revealing clues to those who seek them. If there’s a metaphor for the experience of watching “Blade Runner,” this scene...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

...it’s back to the Esper. Deckard finds the clue he needs in his photograph, but we’ll never find exactly what we’re looking for. The true final cut, in which we can actually live inside Scott’s world, exists only in our mind?...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

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