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...cracking down on the employers of illegals. T.J. Bonner, president of the National Border Patrol Council, a labor organization that represents 10,000 border-patrol employees, believes the solution is obvious. The U.S. government, he says, should "issue a single document that's counterfeit proof, that has an embedded photograph, that says this person has a right to work in the U.S. And that document is the Social Security card. It's not a national ID card. It's a card that you have to carry when you apply for a job and only then. The employers run it through...

Author: /time Magazine | Title: Illegal Aliens: Who Left the Door Open? | 3/30/2006 | See Source »

...starting point was an old black-and-white photograph of canoe-making taken by anthropologist Donald Thomson in the 1930s, which Gulpilil showed De Heer in Arnhem Land. "We need 10 canoes," said the actor, who had starred in De Heer's previous film, The Tracker (2002). Arriving at a narrative that satisfied both the Yolngu's desire for traditional storytelling and Western audiences' need for plot and pace proved a lesson in cultural navigation. Many Yolngu neither speak English nor understand movie-making: "It was conceptually outside their thinking about the world," says De Heer. The Yolgnu's only...

Author: /time Magazine | Title: Keeping Time with Rolf | 3/13/2006 | See Source »

...London terror bombings last July 7 is a grainy snapshot. The picture, captured on a mobile phone camera, shows people escaping from a subway train. In the foreground, a man is holding a cloth over his nose and mouth so he can breathe more easily in the smoky subway.The photograph, one of the best examples to date of a phenomenon many call citizen journalism, reflects the democratization of information. The collision of media and technology has given us powerful, inexpensive tools to create digital content, ranging from blogs to podcasts to videos and more. Distribution, too, has been opened...

Author: By Dan Gillmor, | Title: Making Sense of the Flood | 3/13/2006 | See Source »

...Kansas tenant farmer, Parks was working as a railway-car waiter in the 1930s when he picked up a magazine left by a passenger and had his first look at images of the Depression-era U.S. made by Dorothea Lange and other Farm Security Administration (FSA) photographers. Within a few years, he had bought a camera and started making portraits. By 1942 he was in Washington as an FSA photographer. On his first day there, Parks was refused service at a clothing store, theater and restaurant because he was black. He channeled his anger into his first famous photograph, made...

Author: /time Magazine | Title: Milestones Mar. 20, 2006 | 3/12/2006 | See Source »

...first day there Parks was refused service at a clothing store, a movie theater and a restaurant because he was black. He channeled his anger and frustration into his first famous photograph, made the same day. American Gothic, as he called it, is a portrait of a black cleaning woman holding a mop and a broom in front of an American flag, with her solemn expression saying worlds about the limits that she - and he - ran up against every day. Parks would always carry with him the lesson of that picture. He applied it magnificently. His photographs, his books...

Author: /time Magazine | Title: A Final Snapshot of Gordon Parks | 3/8/2006 | See Source »

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