Word: photojournalistic
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...psychiatrist's couch, a machine gun and a warm kiss." That language has a familiar ring to it. The shock compactions of imagery, the off-kilter linkage of sex, death and Freud -- it all smacks of surrealism. But who would expect to hear it from a great photojournalist? Cartier-Bresson's fame is based on four decades of incomparable camera reporting. Mention his name and what comes to mind is his great surveys of life in China, the Soviet Union and his native France, not the enigmatic jokes of Max Ernst or the dreams on canvas of Magritte...
Because of his later reputation as a photojournalist and the co-founder of the Magnum photo agency, it is easy to forget Cartier-Bresson's debt to Andre Breton, surrealism's chief standard-bearer and truest believer. Breton and his circle of poets and artists wanted to revolutionize both consciousness and society through the purposeful absurdities of the unconscious. To dislodge conventional habits of mind, they practiced unpremeditated methods of creation, "unguided" sketching and automatic writing. Moved by their example, Cartier-Bresson realized that his Leica was the most automatic art instrument of all, one that could make split-second...
...photojournalist, the Robert Capa Gold Medal is the ultimate accolade. Given by the Overseas Press Club (to honor the LIFE photographer killed in Indochina in 1954) "for best photographic reporting or interpretation from abroad requiring exceptional courage and enterprise," it entails a deliberate decision to go in harm's way, recording battles and disasters...
Anyway, Salvador begins with buffoonery, as a down-and-out photojournalist (James Woods) journeys to EI Salvador with his slob friend (Jim Belushi) in search when this dynamic duo are hassled by border guards and confronted by an openly hostile contingency at the U.S. embassy. Although this rapid change in tone is initially somewhat disconcerting, the scenes featuring Woods in a Hawaiian shirt and mirrored sunglasses perched atop of a mound of corpses are powerful in their sheer absurdity. Written and directed by Oliver Stone, who recently achieved recognition for Platoon, Salvador offers a telling juxtaposition of what Americans would...
...Blue, it is the woman who leads a life of romantic adventure, the man who is stuck in the mud of middle-class responsibility, yearning not quite hard enough to fly free. She is Gussie Sawyer (Sissy Spacek), who has left Ocean City, Md., to become an ace photojournalist. He is Henry Squires (Kevin Kline), who has inherited his family's newspaper and the usual passel of burdens: wife, child, civic duties. They were lovers once, and become lovers again when she returns home for a vacation. Will he accept her invitation to join her in the jet streams...